Influence
Reich's style of composition has influenced many other composers and musical groups, including John Adams, the progressive rock band King Crimson, the new-age guitarist Michael Hedges, the art-pop and electronic musician Brian Eno, the experimental art/music group The Residents, the composers associated with the Bang on a Can festival (including David Lang, Michael Gordon, and Julia Wolfe), and numerous indie rock musicians including songwriter Sufjan Stevens and instrumental ensembles Tortoise, The Mercury Program (themselves influenced by Tortoise), Godspeed You! Black Emperor composed a song, unreleased, entitled "Steve Reich".
John Adams commented, "He didn't reinvent the wheel so much as he showed us a new way to ride." He has also influenced visual artists such as Bruce Nauman, and many notable choreographers have made dances to his music, Eliot Feld, Jiří Kylián, Douglas Lee and Jerome Robbins among others; he has expressed particular admiration of Anne Teresa De Keersmaeker's work set to his pieces.
In featuring a sample of Reich's Electric Counterpoint (1987) the British ambient techno act the Orb exposed a new generation of listeners to the composer's music with its 1990 production “Little Fluffy Clouds.” Further acknowledgment of Reich's influence on various electronic dance-music producers came with the release in 1999 of Reich Remixed, an album that featured reinterpretations by artists such as DJ Spooky, Kurtis Mantronik, Ken Ishii, and Coldcut, among others.
Reich often cites Pérotin, J.S. Bach, Debussy, Bartók, and Stravinsky as composers whom he admires, whose tradition of which he wished as a young composer to become part. Jazz is a major part of the formation of Reich's musical style, and two of the earliest influences on his work were vocalists Ella Fitzgerald and Alfred Deller, whose emphasis on the artistic capabilities of the voice alone with little vibrato or other alteration was an inspiration to his earliest works. John Coltrane's style, which Reich has described as "playing a lot of notes to very few harmonies", also had an impact; of particular interest was the album Africa/Brass, which "was basically a half-an-hour in F." Reich's influence from jazz includes its roots, also, from the West African music he studied in his readings and visit to Ghana. Other important influences are Kenny Clarke and Miles Davis, and visual artist friends such as Sol LeWitt and Richard Serra. Reich recently contributed the introduction to Sound Unbound: Sampling Digital Music and Culture (The MIT Press, 2008) edited by Paul D. Miller, a.k.a. DJ Spooky.
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