Works
Stephen was a voluminous writer. Glosses, commentaries, expositions, and treatises by him on almost all the books of the Old Testament, and many sermons, are preserved in manuscript at Lambeth Palace, at Oxford and Cambridge, and in France.
According to F. J. E. Raby, "There is little reason to doubt that Stephen Langton ... was the author" of the famous sequence Veni Sancte Spiritus.
The only other of his works which has been printed, besides a few letters (in The Historical Works of Gervase of Canterbury, ed. W. Stubbs, ii. London, 1880, Rolls Series, no. 71, appendix to preface) is a Tractatus de translatione Beati Thomae (in J.A. Giles's Thomas of Canterbury, Oxford, 1845), which is probably an expansion of a sermon he preached in 1220, on occasion of the translation of the relics of Thomas Becket; the ceremony was the most splendid that had ever been seen in England. He also wrote a life of Richard I, and other historical works and poems are attributed to him.
Read more about this topic: Stephen Langton
Famous quotes containing the word works:
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)
“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (1892–1983)
“In doing good, we are generally cold, and languid, and sluggish; and of all things afraid of being too much in the right. But the works of malice and injustice are quite in another style. They are finished with a bold, masterly hand; touched as they are with the spirit of those vehement passions that call forth all our energies, whenever we oppress and persecute..”
—Edmund Burke (1729–97)