Stefan Zweig - Work

Work

Zweig was a very prominent writer in the 1920s and 1930s, and befriended Arthur Schnitzler and Sigmund Freud. He was extremely popular in the USA, South America and Europe, and remains so in continental Europe; however, he was largely ignored by the British public, and his fame in America has since dwindled. Since the 1990s there has been an effort on the part of several publishers (notably Pushkin Press and the New York Review of Books) to get Zweig back into print in English. Plunkett Lake Press Ebooks has begun to publish electronic versions of his non-fiction as well.

Criticism over his oeuvre is severely divided between some English-speaking critics, who despise his literary style as poor, lightweight and superficial, and some of those more attached to the European tradition, who praise his humanism, simplicity and effective style.

Zweig is best known for his novellas (notably The Royal Game, Amok, Letter from an Unknown Woman – filmed in 1948 by Max Ophüls), novels (Beware of Pity, Confusion of Feelings, and the posthumously published The Post Office Girl) and biographies (notably Erasmus of Rotterdam, Conqueror of the Seas: The Story of Magellan, and Mary, Queen of Scotland and the Isles and also posthumously published, Balzac). At one time his works were published in English under the pseudonym 'Stephen Branch' (a translation of his real name) when anti-German sentiment was running high. His biography of Queen Marie-Antoinette was later adapted for a Hollywood movie, starring the actress Norma Shearer in the title role.

Zweig enjoyed a close association with Richard Strauss, and provided the libretto for Die schweigsame Frau (The Silent Woman). Strauss famously defied the Nazi regime by refusing to sanction the removal of Zweig's name from the program for the work's première on June 24, 1935 in Dresden. As a result, Goebbels refused to attend as planned, and the opera was banned after three performances. Zweig later collaborated with Joseph Gregor, to provide Strauss with the libretto for one other opera, Daphne, in 1937. At least one other work by Zweig received a musical setting: the pianist and composer Henry Jolles, who like Zweig had fled to Brazil to escape the Nazis, composed a song, "Último poema de Stefan Zweig", based on "Letztes Gedicht", which Zweig wrote on the occasion of his 60th birthday in November 1941. During his stay in Brazil, Zweig wrote Brasilien, Ein Land der Zukunft (Brazil, Land of the Future) which was an accurate analysis of his newly adopted country and in his book he managed to demonstrate a fair understanding of the Brazilian culture that surrounded him.

Zweig was a passionate collector of manuscripts. There are important Zweig collections at the British Library and at the State University of New York at Fredonia. The British Library's Stefan Zweig Collection was donated to the library by his heirs in May 1986. It specialises in autograph music manuscripts, including works by Bach, Haydn, Wagner, and Mahler. It has been described as "one of the world's greatest collections of autograph manuscripts". One particularly precious item is Mozart's "Verzeichnüß aller meiner Werke" – that is, the composer's own handwritten thematic catalogue of his works.

The 1993–1994 academic year at the College of Europe was named in his honour.

Read more about this topic:  Stefan Zweig

Famous quotes containing the word work:

    And this is the final meaning of work: the extension of human consciousness. The lesser meaning of work is the achieving of self-preservation.
    —D.H. (David Herbert)

    His work was that curious mixture of bad painting and good intentions that always entitles a man to be called a representative British artist.
    Oscar Wilde (1854–1900)

    How did you get in the Navy? How did you get on our side? Ah, you ignorant, arrogant, ambitious—keeping sixty two men in prison cause you got a palm tree for the work they did. I don’t know which I hate worse, you or that malignant growth that stands outside your door. How did you ever get command of a ship? I realize in wartime they have to scrape the bottom of the barrel. But where’d they ever scrape you up?
    Frank S. Nugent (1908–1965)