Box Office Performance
| Film | Release date | Box office revenue | Box office ranking | ||||
|---|---|---|---|---|---|---|---|
| United States | Non-US | Worldwide | Adjusted for inflation (US) |
All-time domestic | All-time worldwide | ||
| Star Wars Episode IV: A New Hope | May 25, 1977 | $460,998,007 | $314,400,000 | $775,398,007 | $1,768,045,075 | #6 | #38 |
| Star Wars Episode V: The Empire Strikes Back | May 21, 1980 | $290,475,067 | $247,900,000 | $538,375,067 | $819,336,780 | #48 | #86 |
| Star Wars Episode VI: Return of the Jedi | May 25, 1983 | $309,306,177 | $165,800,000 | $475,106,177 | $721,748,861 | #36 | #109 |
| Original Star Wars trilogy totals | $1,060,779,251 | $728,100,000 | $1,788,879,251 | $3,309,130,716 | |||
| Star Wars Episode I: The Phantom Menace | May 19, 1999 | $474,544,677 | $552,500,000 | $1,027,044,677 | $601,422,432 | #5 | #10 |
| Star Wars Episode II: Attack of the Clones | May 16, 2002 | $310,676,740 | $338,721,588 | $649,398,328 | $401,436,883 | #34 | #56 |
| Star Wars Episode III: Revenge of the Sith | May 19, 2005 | $380,270,577 | $468,484,191 | $848,754,768 | $452,514,859 | #16 | #28 |
| Prequel Star Wars trilogy totals | $1,165,491,994 | $1,359,705,779 | $2,525,197,773 | $1,455,374,174 | |||
| Star Wars: The Clone Wars | August 15, 2008 | $35,161,554 | $33,121,290 | $68,282,844 | $37,954,914 | #1,818 | — |
| Complete Star Wars film series totals | $2,261,432,799 | $2,120,927,069 | $4,382,359,868 | $4,802,459,804 | |||
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Famous quotes containing the words box, office and/or performance:
“I hate love. Hate being in love. I never want it to happen to me again.”
—Muriel Box (b. 1905)
“We have two kinds of “conference.” One is that to which the office boy refers when he tells the applicant for a job that Mr. Blevitch is “in conference.” This means that Mr. Blevitch is in good health and reading the paper, but otherwise unoccupied. The other type of “conference” is bona fide in so far as it implies that three or four men are talking together in one room, and don’t want to be disturbed.”
—Robert Benchley (1889–1945)
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)