Stanley Baxter - Television

Television

Baxter's self-titled series of comedy shows were seen by very large audiences and the later shows were memorable for the high quality of their production. He was known for his impressions of famous people, particularly the Queen (referred to in the context of the shows as 'the Duchess of Brenda') and his shows were known for their spectacular and technically demanding set pieces. The Stanley Baxter Show ran between 1963 and 1971 on BBC One, and the Stanley Baxter Picture Show from 1972 to 1975 on ITV; the six-part Stanley Baxter Series was made by LWT in 1981. Some eight one-hour TV specials were made by LWT and the BBC between 1973 and 1986.

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Famous quotes containing the word television:

    It is marvelous indeed to watch on television the rings of Saturn close; and to speculate on what we may yet find at galaxy’s edge. But in the process, we have lost the human element; not to mention the high hope of those quaint days when flight would create “one world.” Instead of one world, we have “star wars,” and a future in which dumb dented human toys will drift mindlessly about the cosmos long after our small planet’s dead.
    Gore Vidal (b. 1925)

    Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.
    Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)

    In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.
    New Yorker (April 23, 1990)