Stab-in-the-back Myth - Origins

Origins

In the latter part of the war, Germany was practically a military dictatorship, with the Supreme High Command (German: OHL, "Oberste Heeresleitung") and General Field Marshal Paul von Hindenburg as commander-in-chief advising the Kaiser. After the last German offensive on the Western Front failed in 1918, the war effort was doomed. In response, OHL arranged for a rapid change to a civilian government. General Ludendorff, Germany's Chief of Staff, said:

I have asked His Excellency to now bring those circles to power which we have to thank for coming so far. We will therefore now bring those gentlemen into the ministries. They can now make the peace which has to be made. They can eat the broth which they have prepared for us!

On November 11, 1918, the representatives of the newly formed Weimar Republic signed an armistice with the Allies which would end World War I. The subsequent Treaty of Versailles led to further territorial and financial losses. As the Kaiser had been forced to abdicate and the military relinquished executive power, it was the temporary "civilian government" that sued for peace - the signature on the document was of Matthias Erzberger, a civilian, who was later murdered for his alleged treason; this led to the signing of the Treaty of Versailles.

The official birth of the term "stab-in-the-back" itself possibly can be dated to the autumn of 1919, when Ludendorff was dining with the head of the British Military Mission in Berlin, British general Sir Neill Malcolm. Malcolm asked Ludendorff why it was that he thought Germany lost the war. Ludendorff replied with his list of excuses, including that the home front failed the army.

Malcolm asked him: "Do you mean, General, that you were stabbed in the back?" Ludendorff's eyes lit up and he leapt upon the phrase like a dog on a bone. "Stabbed in the back?" he repeated. "Yes, that's it, exactly, we were stabbed in the back." And thus was born a legend which has never entirely perished.

The phrase was to Ludendorff's liking, and he let it be known among the general staff that this was the 'official' version, and so it was disseminated throughout German society. This was picked up by right-wing political factions and used as a form of attack against the SPD-led early Weimar government, which had come to power in the German Revolution of November 1918.

In 1919 Deutschvölkischer Schutz und Trutzbund leader Alfred Roth, writing under the pseudonym Otto Arnim, published the book The Jew in the Army which he said was based on evidence gathered during his participation on the Judenzählung. Roth's work claimed that most Jews involved in the war were only taking part as profiteers and spies, whilst he also blamed Jewish officers on fostering a defeatist mentality which impacted negatively on their soldiers. As such the book offered one of the earliest published versions of the Stab-in-the-back legend.

In November 1919, the newly elected Weimar National Assembly initiated a Untersuchungsausschuß für Schuldfragen to investigate the causes of the World War and Germany's defeat. On November 18, von Hindenburg testified in front of this parliamentary commission, and cited a December 17, 1918 Neue Zürcher Zeitung article that summarized two earlier articles in the Daily Mail by British General Frederick Barton Maurice with the phrase that the German army had been 'dagger-stabbed from behind by the civilian populace' ("von der Zivilbevölkerung von hinten erdolcht."). (Maurice later disavowed having used the term himself.). It was particularly this testimony of Hindenburg that led to the wide spread of the Dolchstoßlegende in post-World War I Germany.

Richard Steigmann-Gall says that the stab-in-the-back legend traces back to a sermon preached on February 3, 1918, by Protestant Court Chaplain Bruno Doehring, six months before the war had even ended. German scholar Boris Barth, in contrast to Steigmann-Gall, implies that Doehring did not actually use the term, but spoke only of 'betrayal'. Barth traces the first documented use to a centrist political meeting in the Munich Löwenbräu-Keller on November 2, 1918, in which Ernst Müller-Meiningen, a member of the Progressive coalition in the Reichstag, used the term to exhort his listeners to keep fighting:

As long as the front holds, we damned well have the duty to hold out in the homeland. We would have to be ashamed of ourselves in front of our children and grandchildren if we attacked the battle front from the rear and gave it a dagger-stab. (wenn wir der Front in den Rücken fielen und ihr den Dolchstoß versetzten.)

Barth also shows that the term was primarily popularized by the patriotic German newspaper Deutsche Tageszeitung that repeatedly quoted the Neue Zürcher article after Hindenburg had referred to it in front of the parliamentary inquiry commission.

Charges of a Jewish conspirational element in Germany's defeat drew heavily upon figures like Kurt Eisner, a Berlin-born German Jew who lived in Munich. He had written about the illegal nature of the war from 1916 onward, and he also had a large hand in the Munich revolution until he was assassinated in February 1919. The Weimar Republic under Friedrich Ebert violently suppressed workers' uprisings with the help of Gustav Noske and Reichswehr General Groener, and tolerated the paramilitary Freikorps forming all across Germany. In spite of such tolerance, the Republic's legitimacy was constantly attacked with claims such as the stab-in-the-back. Many of its representatives such as Matthias Erzberger and Walther Rathenau were assassinated, and the leaders were branded as "criminals" and Jews by the right-wing press dominated by Alfred Hugenberg.

The noted German historian Friedrich Meinecke attempted to trace the roots of the expression in a June 11, 1922 article in the Viennese newspaper Neue Freie Presse. In the 1924 national election, the Munich cultural journal Süddeutsche Monatshefte published a series of articles blaming the SPD and trade unions for Germany's defeat in World War I, which came out during the trial of Adolf Hitler and Ludendorff for high treason following the Beer Hall Putsch in 1923. The editor of an SPD newspaper sued the journal for defamation, giving rise to what is known as the Munich Dolchstoßprozess from October 19 to November 20, 1925. Many prominent figures testified in that trial, including members of the parliamentary committee investigating the reasons for the defeat, so some of its results were made public long before the publication of the committee report in 1928.

The Dolchstoß was a central image in propaganda produced by the many right-wing and traditionally conservative political parties that sprang up in the early days of the Weimar Republic, including Hitler's NSDAP. For Hitler himself, this explanatory model for World War I was of crucial personal importance. He had learned of Germany's defeat while being treated for temporary blindness following a gas attack on the front. In Mein Kampf, he described a vision at this time which drove him to enter politics. Throughout his career, he railed against the "November criminals" of 1918, who had stabbed the German Army in the back.

Even provisional President Friedrich Ebert contributed to the myth when he saluted returning veterans with the oration that "no enemy has vanquished you" (kein Feind hat euch überwunden!) and "they returned undefeated from the battlefield (sie sind vom Schlachtfeld unbesiegt zurückgekehrt)" on November 10, 1918. The latter quote was shortened to im Felde unbesiegt as a semi-official slogan of the Reichswehr. Ebert had meant these sayings as a tribute to the German soldier, but it only contributed to the prevailing feeling.

Read more about this topic:  Stab-in-the-back Myth

Famous quotes containing the word origins:

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?”
    Katharine Hamnett (b. 1948)

    The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.
    Lewis Mumford (1895–1990)