Square Dance - Comparing Square Dance Music

Comparing Square Dance Music

Scottish and Irish dances are normally done to traditional tunes. English dances may be done to traditional tunes, though, especially at ceilidhs, there is experimentation with many different musical styles.

The two types of American square dance are accompanied by different types of music.

Traditional square dance is almost always danced to live music. Since the 19th century, much of the square dance repertoire has been derived from jigs and reels from Scotland and Ireland, sometimes in relatively unaltered form, sometimes as played in the old time music tradition or as adapted by other cultures such as that of Quebec. This sort of music is played on acoustic instruments, such as the fiddle, banjo, guitar and double bass; certain instruments, including the piano, accordion, concertina and hammered dulcimer, are popular in specific regions. In some communities where square dancing has survived, the prevailing form of music has become popular songs from the 1930s, 1940s and 1950s, played on instruments such as saxophones, drums, and electric guitars. Tempos can vary from around 108 to more than 150 bpm, depending on the regional style.

Modern Western square dancing is danced to a variety of music types, everything from pop to traditional country to Broadway musical to contemporary country music—even rock and techno. The music is usually played from recordings; the tempo is also more uniform than in traditional dancing, as the "perfect" modern Western square dance tempo is 120–128 bpm. At this speed dancers take one step per beat of the music.

Read more about this topic:  Square Dance

Famous quotes containing the words comparing, square, dance and/or music:

    We cannot think of a legitimate argument why ... whites and blacks need be affected by the knowledge that an aggregate difference in measured intelligence is genetic instead of environmental.... Given a chance, each clan ... will encounter the world with confidence in its own worth and, most importantly, will be unconcerned about comparing its accomplishments line-by-line with those of any other clan. This is wise ethnocentricism.
    Richard Herrnstein (1930–1994)

    O for a man who is a man, and, as my neighbor says, has a bone in his back which you cannot pass your hand through! Our statistics are at fault: the population has been returned too large. How many men are there to a square thousand miles in this country? Hardly one.
    Henry David Thoreau (1817–1862)

    Yes, dance. Dance and dream. Dream that you’re Mrs. Henry Jekyll of Harley Street, dancing with your own butler and six footmen. Dream that they’ve all turned into white mice and crawled into an eternal pumpkin.
    John Lee Mahin (1902–1984)

    We often love to think now of the life of men on beaches,—at least in midsummer, when the weather is serene; their sunny lives on the sand, amid the beach-grass and bayberries, their companion a cow, their wealth a jag of driftwood or a few beach plums, and their music the surf and the peep of the beech-bird.
    Henry David Thoreau (1817–1862)