Spenser (character) - Novels

Novels

By Robert B. Parker:

  1. The Godwulf Manuscript (1973)
  2. God Save the Child (1974)
  3. Mortal Stakes (1975)
  4. Promised Land (1976) (Edgar Award, 1977, Best Novel; adapted into pilot episode of Spenser: For Hire)
  5. The Judas Goat (1978; adapted into Lifetime TV movie)
  6. Looking for Rachel Wallace (1980)
  7. Early Autumn (1981)
  8. A Savage Place (1981; adapted into Lifetime TV movie)
  9. Ceremony (1982; adapted into Lifetime TV movie)
  10. The Widening Gyre (1983)
  11. Valediction (1984)
  12. A Catskill Eagle (1985)
  13. Taming a Sea Horse (1986)
  14. Pale Kings and Princes (1987; adapted into Lifetime TV movie)
  15. Crimson Joy (1988)
  16. Playmates (1989)
  17. Stardust (1990)
  18. Pastime (1991)
  19. Double Deuce (1992)
  20. Paper Doll (1993)
  21. Walking Shadow (1994; adapted into A&E TV movie)
  22. Thin Air (1995; adapted into A&E TV movie)
  23. Chance (1996)
  24. Small Vices (1997; adapted into A&E TV movie)
  25. Sudden Mischief (1998)
  26. Hush Money (1999)
  27. Hugger Mugger (2000)
  28. Potshot (2001)
  29. Widow's Walk (2002)
  30. Back Story (2003)
  31. Bad Business (2004)
  32. Cold Service (2005)
  33. School Days (2005)
  34. Hundred-Dollar Baby (2006)
  35. Now and Then (2007)
  36. Rough Weather (2008)
  37. Chasing the Bear: A Young Spenser Novel (2009)
  38. The Professional (2009)
  39. Painted Ladies (2010)
  40. Sixkill (2011)

By Ace Atkins:

  1. Lullaby (2012)

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Famous quotes containing the word novels:

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    Fathers and Sons is not only the best of Turgenev’s novels, it is one of the most brilliant novels of the nineteenth century. Turgenev managed to do what he intended to do, to create a male character, a young Russian, who would affirm his—that character’s—absence of introspection and at the same time would not be a journalist’s dummy of the socialistic type.
    Vladimir Nabokov (1899–1977)

    Society is the stage on which manners are shown; novels are the literature. Novels are the journal or record of manners; and the new importance of these books derives from the fact, that the novelist begins to penetrate the surface, and treat this part of life more worthily.
    Ralph Waldo Emerson (1803–1882)