Music
Intrada Records released an album of a re-recording by the Slovak Radio Symphony Orchestra of the film's complete score . The album featured music not heard in the finished film.
| Intrada Records Album | |||
|---|---|---|---|
| No. | Title | Length | |
| 1. | "Main Title; Foreward" | 3:13 | |
| 2. | "Green Manors" | 0:51 | |
| 3. | "First Meeting" | 2:11 | |
| 4. | "The Picnic" | 2:01 | |
| 5. | "The Awakening; Love Scene; The Dressing Gown; The Imposter - Parts 1 & 2; The Cigarette Case" | 16:49 | |
| 6. | "The Letter" | 0:30 | |
| 7. | "The Empire Hotel" | 1:22 | |
| 8. | "The Burned Hand - Parts 1 & 2" | 2:29 | |
| 9. | "The Penn Station" | 2:44 | |
| 10. | "Railway Carriage" | 1:16 | |
| 11. | "Honeymoon At Brulov's; The White Coverlet; The Razor - Parts 1 & 2; Constance Is Afraid" | 10:03 | |
| 12. | "Constance And Brulov - Parts 1 & 2" | 4:15 | |
| 13. | "Gambling Dream; Mad Proprietors Dream; Roof-Top Dreams" | 2:37 | |
| 14. | "Dream Interpretation - Parts 1 & 2; The Decision" | 6:10 | |
| 15. | "Train To Gabriel Valley" | 1:23 | |
| 16. | "Ski Run; Mountain Lodge" | 5:51 | |
| 17. | "Defeat" | 3:15 | |
| 18. | "Contance's Discovery" | 2:04 | |
| 19. | "The Revolver" | 3:05 | |
| 20. | "The End" | 0:59 | |
| 21. | "End Title - Short" | 0:24 |
Read more about this topic: Spellbound (1945 film)
Famous quotes containing the word music:
“While the music is performed, the cameras linger savagely over the faces of the audience. What a bottomless chasm of vacuity they reveal! Those who flock round the Beatles, who scream themselves into hysteria, whose vacant faces flicker over the TV screen, are the least fortunate of their generation, the dull, the idle, the failures . . .”
—Paul Johnson (b. 1928)
“The train was crammed, the heat stifling. We feel out of sorts, but do not quite know if we are hungry or drowsy. But when we have fed and slept, life will regain its looks, and the American instruments will make music in the merry cafe described by our friend Lange. And then, sometime later, we die.”
—Vladimir Nabokov (1899–1977)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)