Music
Intrada Records released an album of a re-recording by the Slovak Radio Symphony Orchestra of the film's complete score . The album featured music not heard in the finished film.
| Intrada Records Album | |||
|---|---|---|---|
| No. | Title | Length | |
| 1. | "Main Title; Foreward" | 3:13 | |
| 2. | "Green Manors" | 0:51 | |
| 3. | "First Meeting" | 2:11 | |
| 4. | "The Picnic" | 2:01 | |
| 5. | "The Awakening; Love Scene; The Dressing Gown; The Imposter - Parts 1 & 2; The Cigarette Case" | 16:49 | |
| 6. | "The Letter" | 0:30 | |
| 7. | "The Empire Hotel" | 1:22 | |
| 8. | "The Burned Hand - Parts 1 & 2" | 2:29 | |
| 9. | "The Penn Station" | 2:44 | |
| 10. | "Railway Carriage" | 1:16 | |
| 11. | "Honeymoon At Brulov's; The White Coverlet; The Razor - Parts 1 & 2; Constance Is Afraid" | 10:03 | |
| 12. | "Constance And Brulov - Parts 1 & 2" | 4:15 | |
| 13. | "Gambling Dream; Mad Proprietors Dream; Roof-Top Dreams" | 2:37 | |
| 14. | "Dream Interpretation - Parts 1 & 2; The Decision" | 6:10 | |
| 15. | "Train To Gabriel Valley" | 1:23 | |
| 16. | "Ski Run; Mountain Lodge" | 5:51 | |
| 17. | "Defeat" | 3:15 | |
| 18. | "Contance's Discovery" | 2:04 | |
| 19. | "The Revolver" | 3:05 | |
| 20. | "The End" | 0:59 | |
| 21. | "End Title - Short" | 0:24 |
Read more about this topic: Spellbound (1945 film)
Famous quotes containing the word music:
“The basic difference between classical music and jazz is that in the former the music is always greater than its performanceBeethovens Violin Concerto, for instance, is always greater than its performancewhereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)
“The sound of tireless voices is the price we pay for the right to hear the music of our own opinions. But there is also, it seems to me, a moment at which democracy must prove its capacity to act. Every man has a right to be heard; but no man has the right to strangle democracy with a single set of vocal chords.”
—Adlai Stevenson (19001965)
“It is from the blues that all that may be called American music derives its most distinctive character.”
—James Weldon Johnson (18711938)