Space rock is a subgenre of rock music; the term originally referred to a group of early, mostly British, 1970s progressive and psychedelic rock bands such as Hawkwind and Pink Floyd, characterised by slow, lengthy instrumental passages dominated by electronic organs, synthesizers, experimental guitar work and science fiction or astronomical lyrical themes, though it was later repurposed to refer to a series of late 1980s British alternative rock bands that drew from earlier influences to create a more ambient but still melodic form of pop music. The term was revived in the 21st century to refer to a new crop of bands including The Flowers of Hell, Comets on Fire, and Flotation Toy Warning who diversely draw upon the ideas and sounds of both waves of the genre's founders.
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“Sir Walter Raleigh might well be studied, if only for the excellence of his style, for he is remarkable in the midst of so many masters. There is a natural emphasis in his style, like a man’s tread, and a breathing space between the sentences, which the best of modern writing does not furnish. His chapters are like English parks, or say rather like a Western forest, where the larger growth keeps down the underwood, and one may ride on horseback through the openings.”
—Henry David Thoreau (1817–1862)
“Nobody dast blame this man.... For a salesman, there is no rock bottom to the life. He don’t put a bolt to a nut, he don’t tell you the law or give you medicine. He’s a man way out there in the blue, riding on a smile and a shoeshine. And when they start not smiling back—that’s an earthquake. And then you get yourself a couple of spots on your hat, and you’re finished. Nobody dast blame this man. A salesman is got to dream, boy. It comes with the territory.”
—Arthur Miller (b. 1915)