The Southern Museum of Flight is an aviation museum located three blocks east of the Birmingham-Shuttlesworth International Airport in Birmingham, Alabama. It features a valuable collection of aviation artifacts spanning the 20th century in the various areas of aviation. It explores eight decades of winged history with both military and civil aircraft. Artifacts in the museum include the Red Baron, the Tuskegee Airmen, and the Flying Tigers, as well as notable female pilots including Amelia Earhart and numerous aviation pioneers.
Also featured are the 1953 defection of Lt. No Kum Sok with F-86 and MiG-15 aircraft, the Lake Murray B-25 bomber, raised from a lake in South Carolina in 2005, and a helicopter tribute to Vietnam Veterans. The facility has an Early Aviation Hall, Experimental Aircraft Hall, Aviation Art exhibits, Alabama Aviation Hall of Fame, Ready Room for rest and snacks, and 26 additional aircraft in an outdoor exhibit. One of the more popular attractions in the museum are the simulators for military aircraft, ultralights, antique aircraft and RC aircraft. The Southern Museum of Flight is located on 73rd Street North, Birmingham, Alabama. It is open Tuesday through Saturday with hours 9:30 am to 4:30 pm CT.
Read more about Southern Museum Of Flight: Permanent Display, Alabama Aviation Hall of Fame, Images
Famous quotes containing the words southern, museum and/or flight:
“When Abraham Lincoln penned the immortal emancipation proclamation he did not stop to inquire whether every man and every woman in Southern slavery did or did not want to be free. Whether women do or do not wish to vote does not affect the question of their right to do so.”
—Mary E. Haggart, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 3, by Susan B. Anthony and Ida Husted Harper (1902)
“Things will not mourn you, people will.”
—Hawaiian saying no. 191, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)
“AIDS was ... an illness in stages, a very long flight of steps that led assuredly to death, but whose every step represented a unique apprenticeship. It was a disease that gave death time to live and its victims time to die, time to discover time, and in the end to discover life.”
—Hervé Guibert (1955–1991)