Southern Italy - Culture

Culture

Main article: Culture of Italy

The regions of Southern Italy were exposed to some different historical influences than the rest of the peninsula, starting most notably with Greek colonisation. Greek influence in the South was dominant until Latinisation was completed by the time of the Roman Principate. Greek influences returned by the late Roman Empire, especially following the reconquests of Justinian and the Byzantine Empire.

Sicily, a distinctive culture throughout the Middle Ages, was captured by Muslims and turned into an Emirate for a period, and via Sicily elements of progressive Islamic culture, architecture and science were introduced to Italy and Europe. The rest of the mainland was subject to a struggle of power among the Byzantines, Lombards, and Franks. In addition, the Venetians established outposts as trade with Byzantium and the Near East increased.

Until the Norman conquests of the 11th and 12th centuries much of the South followed Eastern rite (Greek) Christianity. The Normans who settled in Sicily and Southern Italy in the Middle Ages significantly impacted the architecture, religion and high culture of the region. Later, Southern Italy was subjected to rule by the new European nation states, first the Crown of Aragon, then Spain, and Austria. The Spanish had a major impact on the culture of the South, having ruled it for over three centuries.

Jewish communities lived in Sicily and Southern Italy for over 15 centuries but in 1492 King Ferdinand II of Aragon proclaimed the Edict of expulsion. At their height, Jewish Sicilians probably constituted around one tenth of the island's population. After the Edict they partially converted to Christianity and some moved to Ottoman Empire and other places in Southern Italy, Rome, and Europe. In recent years, Southern Italy has experienced a revival of its traditions and music, such as Neapolitan song and the Tarantella.

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    Our culture has become something that is completely and utterly in love with its parent. It’s become a notion of boredom that is bought and sold, where nothing will happen except that people will become more and more terrified of tomorrow, because the new continues to look old, and the old will always look cute.
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    I wish to speak a word for Nature, for absolute freedom and wildness, as contrasted with a freedom and culture merely civil,—to regard man as an inhabitant, or a part and parcel of Nature, rather than as a member of society. I wish to make an extreme statement, if so I may make an emphatic one, for there are enough champions of civilization: the minister and the school committee and every one of you will take care of that.
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