Southern Italy - Culture

Culture

Main article: Culture of Italy

The regions of Southern Italy were exposed to some different historical influences than the rest of the peninsula, starting most notably with Greek colonisation. Greek influence in the South was dominant until Latinisation was completed by the time of the Roman Principate. Greek influences returned by the late Roman Empire, especially following the reconquests of Justinian and the Byzantine Empire.

Sicily, a distinctive culture throughout the Middle Ages, was captured by Muslims and turned into an Emirate for a period, and via Sicily elements of progressive Islamic culture, architecture and science were introduced to Italy and Europe. The rest of the mainland was subject to a struggle of power among the Byzantines, Lombards, and Franks. In addition, the Venetians established outposts as trade with Byzantium and the Near East increased.

Until the Norman conquests of the 11th and 12th centuries much of the South followed Eastern rite (Greek) Christianity. The Normans who settled in Sicily and Southern Italy in the Middle Ages significantly impacted the architecture, religion and high culture of the region. Later, Southern Italy was subjected to rule by the new European nation states, first the Crown of Aragon, then Spain, and Austria. The Spanish had a major impact on the culture of the South, having ruled it for over three centuries.

Jewish communities lived in Sicily and Southern Italy for over 15 centuries but in 1492 King Ferdinand II of Aragon proclaimed the Edict of expulsion. At their height, Jewish Sicilians probably constituted around one tenth of the island's population. After the Edict they partially converted to Christianity and some moved to Ottoman Empire and other places in Southern Italy, Rome, and Europe. In recent years, Southern Italy has experienced a revival of its traditions and music, such as Neapolitan song and the Tarantella.

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Famous quotes containing the word culture:

    We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.
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    Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.
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    Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.
    Herbert J. Gans (b. 1927)