Relationship With Poetry
The sound of words is important in the field of poetry, and rhetoric more generally. Tools such as euphony, alliteration, and rhyme all depend on the speaker or writer confidently choosing the best-sounding word.
John Mitchell's book Euphonics: A Poet's Dictionary of Enchantments collects lists of words of similar meaning and similar sounds. For example, the entry for V begins:
- Vital and vigorous but vain and vicious.
- Vitality is in words which relate to the Latin vita (life), vis (force) and vigor. In English are vim and vigour, vitality and velocity. The effect of V can be described as very vivacious. Like several other sounds V has a second, opposite meaning. In accordance with its relationship to the sounds W and F it is sometimes weak and flustured (German verwirrt), as in the words vain, vacuous, vapid, vague, vacillate, vagrant, vaporous, vertigo, veer, and vary.
Likewise, "gl-" words for shiny things: glisten, gleam, glint, glare, glam, glimmer, glaze, glass, glitz, gloss, glory, glow, and glitter. In German, nouns starting with "kno-" and "knö-" are mostly small and round: Knoblauch "garlic", Knöchel "ankle", Knödel "dumpling", Knolle "tuber", Knopf "button", Knorren "knot (in a tree)", Knospe "bud (of a plant)", Knoten "knot (in string or rope)".
Read more about this topic: Sound Symbolism
Famous quotes containing the words relationship with, relationship and/or poetry:
“Sisters is probably the most competitive relationship within the family, but once the sisters are grown, it becomes the strongest relationship.”
—Margaret Mead (1901–1978)
“We think of religion as the symbolic expression of our highest moral ideals; we think of magic as a crude aggregate of superstitions. Religious belief seems to become mere superstitious credulity if we admit any relationship with magic. On the other hand our anthropological and ethnographical material makes it extremely difficult to separate the two fields.”
—Ernst Cassirer (1874–1945)
“It is at the same time by poetry and through poetry, by and through music, that the soul glimpses the splendors found behind the tomb; and when an exquisite poem brings tears to one’s eyes, these tears are not the sign of excessive pleasure, they are rather witness to an irritated melancholy, to a condition of nerves, to a nature exiled to imperfection and which would like to seize immediately, on this very earth, a revealed paradise.”
—Charles Baudelaire (1821–1867)