A sound box or sounding box (sometimes written soundbox) is an open chamber in the body of a musical instrument which modifies the sound of the instrument, and helps transfer that sound to the surrounding air. Objects respond more strongly to vibrations at certain frequencies, known as resonances. The chamber's own resonances supply the reinforcement, and so the tone quality and resonances of the instrument are altered as a whole wherever the chamber's resonances mismatch the chamberless instrument's. The sound box typically adds resonances at lower frequencies, enhancing the lower-frequency response of the instrument.
The distinctive sound of an instrument with a sound box owes a lot to the alteration made to the tone. A sound box is found in most string instruments. The most notable exceptions are some electrically amplified instruments like the solid body electric guitar or the electric violin, and the piano which uses only a sound board instead. Drumhead lutes such as the banjo or erhu have at least one open end of the sound box covered with animal skin (or a skin-like acrylic material). Open back banjos are normally used for clawhammer and frailing, while those used for bluegrass have the back covered with a resonator.
In some arrangements, loudspeakers also are mounted on a sound box to enhance their output, particularly bass speakers. One notable example of this arrangement is called the bass reflex enclosure. However, in these cases the box resonance is carefully tuned so as to make the sound more equal across frequencies, rather than to impart a particular character to the reinforced sound.
Famous quotes containing the words sound and/or box:
“I compare her
to a fallen leaf.
The noiseless wheels of my car
rush with a crackling sound over
dried leaves as I bow and pass smiling.”
—William Carlos Williams (18831963)
“It all ended with the circuslike whump of a monstrous box on the ear with which I knocked down the traitress who rolled up in a ball where she had collapsed, her eyes glistening at me through her spread fingersall in all quite flattered, I think. Automatically, I searched for something to throw at her, saw the china sugar bowl I had given her for Easter, took the thing under my arm and went out, slamming the door.”
—Vladimir Nabokov (18991977)