Sonata Form and Other Musical Forms
Sonata form shares characteristics with both binary form and ternary form. In terms of key relationships, it is very like binary form, with a first half moving from the home key to the dominant and the second half moving back again (this is why sonata form is sometimes known as compound binary form); in other ways it is very like ternary form, being divided into three sections, the first (exposition) of a particular character, the second (development) in contrast to it, the third section (recapitulation) the same as the first.
The early binary sonatas by Domenico Scarlatti provide excellent examples of the transition from binary to sonata-allegro form. Among the many sonatas are numerous examples of the true sonata form being crafted into place. During the 18th century, many other composers like Scarlatti were discovering this same musical form by experimenting at their keyboards with harmony and melody.
Read more about this topic: Sonata Form
Famous quotes containing the words form, musical and/or forms:
“Although Samuel had a depraved imagination—perhaps even because of this—love, for him, was less a matter of the senses than of the intellect. It was, above all, admiration and appetite for beauty; he considered reproduction a flaw of love, and pregnancy a form of insanity. He wrote on one occasion: “Angels are hermaphrodite and sterile.””
—Charles Baudelaire (1821–1867)
“Each child has his own individual expressions to offer to the world. That expression can take many forms, from artistic interests, a way of thinking, athletic activities, a particular style of dressing, musical talents, different hobbies, etc. Our job is to join our children in discovering who they are.”
—Stephanie Martson (20th century)
“The necessary has never been man’s top priority. The passionate pursuit of the nonessential and the extravagant is one of the chief traits of human uniqueness. Unlike other forms of life, man’s greatest exertions are made in the pursuit not of necessities but of superfluities.”
—Eric Hoffer (1902–1983)