Musical Criticism and Sonata Form
Owing to its centrality to classical music, the sonata form has been a topic of interest to musical critics since its origin. Contentious opinions include those of prominent critics including Eduard Hanslick, who praised the form for its intelligibility.
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Famous quotes containing the words musical, criticism and/or form:
“Through man, and woman, and sea, and star,
Saw the dance of nature forward far;
Through worlds, and races, and terms, and times,
Saw musical order, and pairing rhymes.”
—Ralph Waldo Emerson (1803–1882)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
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