Influence
House was the primary influence on Muddy Waters and also an important influence on Robert Johnson. It was House who, speaking to awe-struck young blues fans in the 1960s, spread the legend that Johnson had sold his soul to the Devil in exchange for his musical powers.
More recently, House's music has influenced the blues rock group The White Stripes, who covered his song "Death Letter" (also reworked by Skip James and Robert Johnson) on their album De Stijl, and later performed it at the 2004 Grammy Awards. The version on De Stijl contains five of the verses from the Son House original. The eighth verse (one of the ones that was left off) was added to the song "Dead Leaves and the Dirty Ground" on their third album White Blood Cells.
The White Stripes incorporated sections of a traditional song Son House recorded—"John the Revelator"—into the song "Cannon" from their eponymous debut album The White Stripes. Jack White of The White Stripes has cited House's a cappella song, "Grinnin' in Your Face", as his favorite song.
Another musician deeply influenced by Son House is the slide player John Mooney, who in his teens learned slide guitar from Son House while House was living in Rochester, New York.
Several of House's songs were featured in the motion picture soundtrack of Black Snake Moan (2006).
Read more about this topic: Son House
Famous quotes containing the word influence:
“I became the Incredible Shrinking Mother the year they started junior high. If our relationship today depended on physical clout, I would have about the same influence with them that the republic of Liechtenstein has on world politics.”
—Mary Kay Blakely (20th century)
“To marry a man out of pity is folly; and, if you think you are going to influence the kind of fellow who has “never had a chance, poor devil,” you are profoundly mistaken. One can only influence the strong characters in life, not the weak; and it is the height of vanity to suppose that you can make an honest man of anyone.”
—Margot Asquith (1864–1945)
“Imagination is always the fabric of social life and the dynamic of history. The influence of real needs and compulsions, of real interests and materials, is indirect because the crowd is never conscious of it.”
—Simone Weil (1909–1943)