Influence
House was the primary influence on Muddy Waters and also an important influence on Robert Johnson. It was House who, speaking to awe-struck young blues fans in the 1960s, spread the legend that Johnson had sold his soul to the Devil in exchange for his musical powers.
More recently, House's music has influenced the blues rock group The White Stripes, who covered his song "Death Letter" (also reworked by Skip James and Robert Johnson) on their album De Stijl, and later performed it at the 2004 Grammy Awards. The version on De Stijl contains five of the verses from the Son House original. The eighth verse (one of the ones that was left off) was added to the song "Dead Leaves and the Dirty Ground" on their third album White Blood Cells.
The White Stripes incorporated sections of a traditional song Son House recorded—"John the Revelator"—into the song "Cannon" from their eponymous debut album The White Stripes. Jack White of The White Stripes has cited House's a cappella song, "Grinnin' in Your Face", as his favorite song.
Another musician deeply influenced by Son House is the slide player John Mooney, who in his teens learned slide guitar from Son House while House was living in Rochester, New York.
Several of House's songs were featured in the motion picture soundtrack of Black Snake Moan (2006).
Read more about this topic: Son House
Famous quotes containing the word influence:
“If I had influence with the good fairy who is supposed to preside over the christening of all children, I should ask that her gift to each child in the world be a sense of wonder so indestructible that it would last throughout life.”
—Rachel Carson (20th century)
“Just what is the civil law? What neither influence can affect, nor power break, nor money corrupt: were it to be suppressed or even merely ignored or inadequately observed, no one would feel safe about anything, whether his own possessions, the inheritance he expects from his father, or the bequests he makes to his children.”
—Marcus Tullius Cicero (106–43 B.C.)
“Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.”
—Percy Bysshe Shelley (1792–1822)