Son House - Influence

Influence

House was the primary influence on Muddy Waters and also an important influence on Robert Johnson. It was House who, speaking to awe-struck young blues fans in the 1960s, spread the legend that Johnson had sold his soul to the Devil in exchange for his musical powers.

More recently, House's music has influenced the blues rock group The White Stripes, who covered his song "Death Letter" (also reworked by Skip James and Robert Johnson) on their album De Stijl, and later performed it at the 2004 Grammy Awards. The version on De Stijl contains five of the verses from the Son House original. The eighth verse (one of the ones that was left off) was added to the song "Dead Leaves and the Dirty Ground" on their third album White Blood Cells.

The White Stripes incorporated sections of a traditional song Son House recorded—"John the Revelator"—into the song "Cannon" from their eponymous debut album The White Stripes. Jack White of The White Stripes has cited House's a cappella song, "Grinnin' in Your Face", as his favorite song.

Another musician deeply influenced by Son House is the slide player John Mooney, who in his teens learned slide guitar from Son House while House was living in Rochester, New York.

Several of House's songs were featured in the motion picture soundtrack of Black Snake Moan (2006).

Read more about this topic:  Son House

Famous quotes containing the word influence:

    For character too is a process and an unfolding ... among our valued friends is there not someone or other who is a little too self confident and disdainful; whose distinguished mind is a little spotted with commonness; who is a little pinched here and protruberent there with native prejudices; or whose better energies are liable to lapse down the wrong channel under the influence of transient solicitations?
    George Eliot [Mary Ann (or Marian)

    A husband who submits to his wife’s yoke is justly held an object of ridicule. A woman’s influence ought to be entirely concealed.
    Honoré De Balzac (1799–1850)

    If the contemplation, even of inanimate beauty, is so delightful; if it ravishes the senses, even when the fair form is foreign to us: What must be the effects of moral beauty? And what influence must it have, when it embellishes our own mind, and is the result of our own reflection and industry?
    David Hume (1711–1776)