Influence
House was the primary influence on Muddy Waters and also an important influence on Robert Johnson. It was House who, speaking to awe-struck young blues fans in the 1960s, spread the legend that Johnson had sold his soul to the Devil in exchange for his musical powers.
More recently, House's music has influenced the blues rock group The White Stripes, who covered his song "Death Letter" (also reworked by Skip James and Robert Johnson) on their album De Stijl, and later performed it at the 2004 Grammy Awards. The version on De Stijl contains five of the verses from the Son House original. The eighth verse (one of the ones that was left off) was added to the song "Dead Leaves and the Dirty Ground" on their third album White Blood Cells.
The White Stripes incorporated sections of a traditional song Son House recorded—"John the Revelator"—into the song "Cannon" from their eponymous debut album The White Stripes. Jack White of The White Stripes has cited House's a cappella song, "Grinnin' in Your Face", as his favorite song.
Another musician deeply influenced by Son House is the slide player John Mooney, who in his teens learned slide guitar from Son House while House was living in Rochester, New York.
Several of House's songs were featured in the motion picture soundtrack of Black Snake Moan (2006).
Read more about this topic: Son House
Famous quotes containing the word influence:
“The higher the state of civilization, the more completely do the actions of one member of the social body influence all the rest, and the less possible is it for any one man to do a wrong thing without interfering, more or less, with the freedom of all his fellow-citizens.”
—Thomas Henry Huxley (1825–95)
“It behooves every man to see that his influence is on the side of justice, and let the courts make their own characters.”
—Henry David Thoreau (1817–1862)
“A bestial and violent man will go so far as to kill because he is under the influence of drink, exasperated, or driven by rage and alcohol. He is paltry. He does not know the pleasure of killing, the charity of bestowing death like a caress, of linking it with the play of the noble wild beasts: every cat, every tiger, embraces its prey and licks it even while it destroys it.”
—Colette [Sidonie Gabrielle Colette] (1873–1954)