Some Like IT Hot - Production

Production

Aside from the title, the film bears no resemblance to a Bob Hope movie of the same name released in 1939.

The film was planned originally to be filmed in colour, but after several screen tests, it was changed to black and white because of the very obvious 'green tint' of the heavy make-up required by Curtis and Lemmon when portraying Josephine and Daphne. The Florida segment, at the fictitious "Seminole Ritz", was filmed at the Hotel Del Coronado in Coronado, California.

Some Like It Hot received a "C" (Condemned) rating from the National Legion of Decency (formerly the Catholic Legion of Decency). The film, along with Alfred Hitchcock's Psycho (1960) and several other films, contributed to the end of the Production Code in the mid-1960s. It was released by United Artists without the MPAA logo in the credits or title sequence, since the film did not receive Production Code approval.

Tony Curtis is frequently quoted as saying that kissing Marilyn Monroe was like "kissing Hitler". However, during a 2001 interview with Leonard Maltin, Curtis stated that he had never made this claim. In his 2008 autobiography, Curtis notes that he did make the statement to the film crew, but it was meant in a joking manner. During his appearance at the Jules Verne Festival in France (2008), Curtis revealed on the set of Laurent Ruquier's TV show that he and Monroe were lovers in the late 1940s when they were first struggling for recognition in films.

The film's title is a line from the nursery rhyme "Pease Porridge Hot". It also occurs as dialogue in the film when Joe, as "Junior", tells Sugar he prefers classical music over hot jazz. The film's working title was Fanfares of Love, then Not Tonight, Josephine, before the release title was finally decided as Some Like It Hot.

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Famous quotes containing the word production:

    The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.
    Friedrich Nietzsche (1844–1900)

    The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.
    Debbie Taylor (20th century)

    The society based on production is only productive, not creative.
    Albert Camus (1913–1960)