History
The essential function of the soft pedal was invented by Bartolomeo Cristofori, the inventor of the piano. On some of his pianos, it was possible to move the hammer mechanism so that the hammers struck just one of the two strings per note. Cristofori's mechanism was a hand stop, necessitating a free hand for its use. By Mozart's time (see Fortepiano), mechanisms had been invented that permitted the same function to be carried out by a knee lever (located below the keyboard), and in the late 18th century the pedal mechanism familiar to us today was introduced.
In the 18th and early 19th centuries, the piano had evolved to have three strings on most of the notes. The soft pedal of this time was more effective than today, since it was possible to use it to strike three, two or even just one string per note—this is the origin of the name "una corda", Italian for "one string". In modern pianos, the strings are spaced too closely to permit a true "una corda" effect—-if shifted far enough to strike just one string on one note, the hammers would also hit the string of the next note. See Piano history and musical performance.
Read more about this topic: Soft Pedal
Famous quotes containing the word history:
“Throughout the history of commercial life nobody has ever quite liked the commission man. His function is too vague, his presence always seems one too many, his profit looks too easy, and even when you admit that he has a necessary function, you feel that this function is, as it were, a personification of something that in an ethical society would not need to exist. If people could deal with one another honestly, they would not need agents.”
—Raymond Chandler (1888–1959)
“The history of literature—take the net result of Tiraboshi, Warton, or Schlegel,—is a sum of a very few ideas, and of very few original tales,—all the rest being variation of these.”
—Ralph Waldo Emerson (1803–1882)
“The myth of independence from the mother is abandoned in mid- life as women learn new routes around the mother—both the mother without and the mother within. A mid-life daughter may reengage with a mother or put new controls on care and set limits to love. But whatever she does, her child’s history is never finished.”
—Terri Apter (20th century)