At The Spanish Court
In 1558, already established as a painter, Anguissola went to Milan, where she painted the Duke of Alba, who in turn recommended her to the Spanish king, Philip II. The following year, Anguissola was invited to join the Spanish Court, which was a turning point in her career.
Anguissola was approximately twenty-six when she left Italy to join the Spanish court. In the winter of 1559-1560, she arrived in Madrid to serve as a court painter and lady-in-waiting to the new queen, Elisabeth of Valois, Philip II’s third wife, who was an amateur portraitist. Anguissola soon gained Elisabeth's admiration and confidence and spent the following years painting many official portraits for the court, including Philip II’s sister, Juana, and son, Don Carlos.
These types of paintings were far more demanding than the informal portraits upon which Anguissola had based her early reputation, as it took a tremendous amount of time and energy to render the many intricate designs of the fine fabrics and elaborate jewelry associated with royal subjects. Yet despite the challenge, Anguissola's paintings of Elisabeth of Valois – and later of Anne of Austria, Philip II’s fourth wife – were vibrant and full of life.
While in the service of Elizabeth of Valois, Anguissola worked closely with Alonso Sanchez Coello. So closely in fact, that the famous painting of the middle-aged King Philip II was long attributed to Coello or Juan Pantoja de la Cruz. Only recently has Anguissola been recognized as the painting's creator.
Read more about this topic: Sofonisba Anguissola
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