Technique
The ski jump is divided into four separate sections; 1) In-run, 2) Take-off (jump), 3) Flight and 4) Landing. In each part the athlete is required to pay attention to and practice a particular technique in order to maximise the outcome of ultimate length and style marks.
Using the modern V-technique, pioneered by Jan Boklöv of Sweden in 1985, world-class skiers are able to exceed the distance of the take-off hill by about 10% compared to the previous technique with parallel skis. Aerodynamics has become a factor of increasing importance in modern ski jumping, with recent rules addressing the regulation of ski jumping suits. This follows a period when loopholes in the rules seemed to favour skinny jumpers in stiff, air foil-like suits.
Previous techniques first included the Kongsberger technique, developed in Kongsberg, Norway by two ski jumpers, Jacob Tullin Thams and Sigmund Ruud following World War I. This technique had the upper body bent at the hip, a wide forward lean, and arms extended to the front with the skis parallel to each other. It would lead to jumping length going from 45 meters to over 100 meters. In the 1950s Andreas Daescher of Switzerland and Erich Windisch of Germany modified the Kongsberger technique by placing his arms backward toward his hips for a closer lean. The Daescher technique and Windisch technique were the standard for ski jumping from the 1950s.
Until the mid 1970s, the Ski jumper would come down the in-run of the hill with both arms pointing forwards. This changed when the former East German Ski jumper Jochen Danneberg introduced the new in-run technique of directing the arms backwards in a more aerodynamic position.
The landing requires the skiers to touch the ground in the Telemark landing style. This involves the jumper landing with one foot in front of the other, mimicking the style of the Norwegian inventors of Telemark skiing. Failure to comply with this regulation will lead to the deduction of style marks (points).
Read more about this topic: Ski Jumping
Famous quotes containing the word technique:
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
“In love as in art, good technique helps.”
—Mason Cooley (b. 1927)
“The more technique you have, the less you have to worry about it. The more technique there is, the less there is.”
—Pablo Picasso (1881–1973)