Music
The series' main theme, written by composer Thomas Newman, won a 2002 Emmy Award for Outstanding Main Title Theme Music and two Grammy Awards in 2003 for Best Instrumental Composition and Best Instrumental Arrangement.
The production sound from seasons three through five was mixed by Bo Harwood, and was nominated in 2004 for a Cinema Audio Society Award.
Seasons two through five featured a promotional teaser trailer prior to the premiere of that season. The songs featured in each seasons trailer were "Heaven" by Lamb for season two; "A Rush of Blood to the Head" by Coldplay for season three; "Feeling Good" by Nina Simone for season four; and "Breathe Me" by Sia Furler for season five, which is also used for montage in the series finale. All these songs are included in either of two soundtracks for the show.
The episode recaps for the first two seasons feature the song "Nothing Lies Still Long" by Pell Mell. The episode previews for the first and fifth seasons feature the Six Feet Under title theme, while the other seasons feature the Rae & Christian remix version of the title theme.
Music supervision for the entire run of the series was provided by Gary Calamar and Thomas Golubic, who were also credited as producers for the two soundtrack albums.
Read more about this topic: Six Feet Under (TV series)
Famous quotes containing the word music:
“The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)
“Poetry
Exceeding music must take the place
Of empty heaven and its hymns....”
—Wallace Stevens (1879–1955)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)