Sir Gawain and The Green Knight - Verse Form

Verse Form

The 2,530 lines and 101 stanzas that make up Sir Gawain and the Green Knight are written in what linguists call the "Alliterative Revival" style typical of the 14th century. Instead of focusing on a metrical syllabic count and rhyme, the alliterative form of this period usually relied on the agreement of a pair of stressed syllables at the beginning of the line and another pair at the end. Each line always includes a pause, called a caesura, at some point after the first two stresses, dividing it into two half-lines. Although he largely follows the form of his day, the Gawain poet was somewhat freer with convention than his or her predecessors. The poet broke the alliterative lines into variable-length groups and ended these nominal stanzas with a rhyming section of five lines known as the bob and wheel, in which the "bob" is a very short line, sometimes of only two syllables, followed by the "wheel," longer lines with internal rhyme.


Gawain Translation
(bob)

ful clene
(wheel)
for wonder of his hwe men hade
set in his semblaunt sene
he ferde as freke were fade
and oueral enker grene (SGGK lines 146–150)

(bob)
full clean.
(wheel)
Great wonder of the knight
Folk had in hall, I ween,
Full fierce he was to sight,
And over all bright green. (SGGK lines 146–150)

Read more about this topic:  Sir Gawain And The Green Knight

Famous quotes containing the words verse and/or form:

    But there’s another knowledge that my heart destroys
    As the fox in the old fable destroyed the Spartan boy’s
    Because it proves that things both can and cannot be;
    That the swordsmen and the ladies can still keep company;
    Can pay the poet for a verse and hear the fiddle sound,
    That I am still their servant though all are underground.
    William Butler Yeats (1865–1939)

    It may be said that the elegant Swann’s simplicity was but another, more refined form of vanity and that, like other Israelites, my parents’ old friend could present, one by one, the succession of states through which had passed his race, from the most naive snobbishness to the worst coarseness to the finest politeness.
    Marcel Proust (1871–1922)