Career
McBurney is a founder and artistic director of the UK-based theatre company Complicite, which performs throughout the world. He directed their productions of Street of Crocodiles (1992), The Three Lives of Lucie Cabrol (1994), Mnemonic (1999) and The Elephant Vanishes (2003), “A Disappearing Number” (2007), “A Dog’s Heart” (2010), "The Master and Margarita” (2011).
A Disappearing Number was a devised piece conceived and directed by McBurney, taking as its inspiration the story of the collaboration between two of the 20th century's most remarkable pure mathematicians, the Indian genius Srinivasa Ramanujan, and Cambridge don G.H. Hardy. It played at the Barbican in autumn 2008 and toured internationally. In February 2009 McBurney directed the Complicite production Shun-kin, based on two texts by Jun'ichiro Tanizaki. It was produced in London and Tokyo in 2010.
On a freelance basis, McBurney directed the following: The Resistible Rise of Arturo Ui and All My Sons (2008) (both in New York), and live comedy shows, including Lenny Henry's So Much Things To Say and French and Saunders Live in 2000.
McBurney is an established screen actor: he played the recurring role of Cecil the choirmaster in The Vicar of Dibley, CIA computer whiz Garland in Body of Lies, Dr. Atticus Noyle in The Manchurian Candidate (2004), Stone in The Last King of Scotland, the metrosexual husband Aaron in Friends with Money, Fra Pavel in The Golden Compass, Charles James Fox in The Duchess and Oliver Lacon in Tinker Tailor Soldier Spy. He also wrote the story and was an executive producer for Mr. Bean's Holiday.
He appears in the BBC TV comedy series Rev., where he plays Archdeacon Robert.
He provides the voice of Kreacher in Harry Potter and the Deathly Hallows – Part 1 (2010).
In the series The Borgias he plays the canon law expert Johannes Burchard (2011).
He is the Artiste Associé of the 66th Festival d'Avignon (2012).
Read more about this topic: Simon Mc Burney
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)