Works
Simon Hawke's (then Nicholas Yermakov's) early books were published in 1981-1984. Except for two Battlestar Galactica novelizations, they were ambitiously conceived, gravitated to the philosophical end of science fiction's spectrum and had limited commercial success. Since re-launching his career as "Simon Hawke" in 1984, he has produced a large volume of lighter, more commercially viable fiction. Almost all of his books published after 1984 have been either part of a series and/or tie-in novels and novelizations.
His first major work as Simon Hawke was the Timewars series, which recounts the adventures of an organization tasked with protecting history from being changed by time travellers. In the world of the series, many people and events we consider fictional are historical, and vice versa; the action of each book in the series weaves in and out of the events of a famous work of literature. For example, in the first book in the series time travellers contesting the fate of Richard I of England become caught up in Walter Scott's Ivanhoe.
Among his more recent works is a series of humorous murder mysteries in which a young William Shakespeare and a fictional friend, Symington "Tuck" Smythe, figure out "who done it".
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Famous quotes containing the word works:
“Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.”
—Henry David Thoreau (1817–1862)
“They that go down to the sea in ships, that do business in great waters, these see the works of the Lord and his wonders in the deep.”
—Bible: Hebrew Psalms 107:23-24.
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)