Works
Simon Hawke's (then Nicholas Yermakov's) early books were published in 1981-1984. Except for two Battlestar Galactica novelizations, they were ambitiously conceived, gravitated to the philosophical end of science fiction's spectrum and had limited commercial success. Since re-launching his career as "Simon Hawke" in 1984, he has produced a large volume of lighter, more commercially viable fiction. Almost all of his books published after 1984 have been either part of a series and/or tie-in novels and novelizations.
His first major work as Simon Hawke was the Timewars series, which recounts the adventures of an organization tasked with protecting history from being changed by time travellers. In the world of the series, many people and events we consider fictional are historical, and vice versa; the action of each book in the series weaves in and out of the events of a famous work of literature. For example, in the first book in the series time travellers contesting the fate of Richard I of England become caught up in Walter Scott's Ivanhoe.
Among his more recent works is a series of humorous murder mysteries in which a young William Shakespeare and a fictional friend, Symington "Tuck" Smythe, figure out "who done it".
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Famous quotes containing the word works:
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
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“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
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“They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
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