Silent Film - Top Grossing Silent Films in The United States

Top Grossing Silent Films in The United States

The following are the silent films from the silent film era that earned the highest gross income in film history. The dollar amounts are not adjusted for inflation.

  1. The Birth of a Nation (1915) - $10,000,000
  2. The Big Parade (1925) - $6,400,000
  3. Ben-Hur (1925) - $5,500,000
  4. Way Down East (1920) - $5,000,000
  5. The Gold Rush (1925) - $4,250,000
  6. The Four Horsemen of the Apocalypse (1921) - $4,000,000
  7. The Circus (1928) - $3,800,000
  8. The Covered Wagon (1923) - $3,800,000
  9. The Hunchback of Notre Dame (1923) - $3,500,000
  10. The Ten Commandments (1923) - $3,400,000
  11. Orphans of the Storm (1921) - $3,000,000
  12. For Heaven's Sake (1926) - $2,600,000
  13. Seventh Heaven (1926) - $2,400,000
  14. Abie's Irish Rose (1928) - $1,500,000

Read more about this topic:  Silent Film

Famous quotes containing the words the united states, united states, top, silent, films, united and/or states:

    To be President of the United States, sir, is to act as advocate for a blind, venomous, and ungrateful client; still, one must make the best of the case, for the purposes of Providence.
    John Updike (b. 1932)

    Hollywood ... was the place where the United States perpetrated itself as a universal dream and put the dream into mass production.
    Angela Carter (1940–1992)

    We fight our way through the massed and leveled collective safe taste of the Top 40, just looking for a little something we can call our own. But when we find it and jam the radio to hear it again it isn’t just ours—it is a link to thousands of others who are sharing it with us. As a matter of a single song this might mean very little; as culture, as a way of life, you can’t beat it.
    Greil Marcus (b. 1945)

    While they stand at home at the door he is dead already,
    The only son is dead.

    But the mother needs to be better,
    She with thin form presently drest in black,
    By day her meals untouch’d, then at night fitfully sleeping, often waking,
    In the midnight waking, weeping, longing with one deep longing,
    O that she might withdraw unnoticed, silent from life escape and
    withdraw,
    To follow, to seek, to be with her dear dead son.
    Walt Whitman (1819–1892)

    Does art reflect life? In movies, yes. Because more than any other art form, films have been a mirror held up to society’s porous face.
    Marjorie Rosen (b. 1942)

    An alliance is like a chain. It is not made stronger by adding weak links to it. A great power like the United States gains no advantage and it loses prestige by offering, indeed peddling, its alliances to all and sundry. An alliance should be hard diplomatic currency, valuable and hard to get, and not inflationary paper from the mimeograph machine in the State Department.
    Walter Lippmann (1889–1974)

    Sean Thornton: I don’t get this. Why do we have to have you along. Back in the states I’d drive up, honk the horn, a gal’d come runnin’ out.
    Mary Kate Danaher: Come a runnin’. I’m no woman to be honked at and come a runnin’.
    Frank S. Nugent (1908–1965)