Writing Style and Literary Theory
With his theory connecting musical notation with poetic meter, he developed a unique style of poetry written in logaoedic dactyls, which was strongly influenced by the works of his beloved Anglo-Saxon poets. He wrote several of his greatest poems in this meter, including "Revenge of Hamish" (1878), "The Marshes of Glynn" and "Sunrise". In Lanier's hands, the logaoedic dactylic meter led to a free-form, almost prose-like style of poetry that was greatly admired by Henry Wadsworth Longfellow, Bayard Taylor, Charlotte Cushman, and other leading poets and critics of the day. A similar poetical meter was independently developed by Gerard Manley Hopkins at about the same time (there is no evidence that they knew each other or that either of them had read any of the other's works).
Lanier also published essays on other literary and musical topics and a notable series of four redactions of literary works about knightly combat and chivalry in modernized language more appealing to the boys of his day:
- The Boy's Froissart (1878), a retelling of Jean Froissart's Froissart's Chronicles, which tell of adventure, battle and custom in medieval England, France and Spain
- The Boy's King Arthur (1880), based on Sir Thomas Malory's compilation of the legends of King Arthur and the Knights of the Round Table
- The Boy's Mabinogion (1881), based on the early Welsh legends of King Arthur, as retold in the Red Book of Hergest.
- The Boy's Percy (published posthumously in 1882), consisting of old ballads of war, adventure and love based on Bishop Thomas Percy's Reliques of Ancient English Poetry.
He also wrote two travelogues that were widely read at the time, entitled Florida: Its Scenery, Climate and History (1875) and Sketches of India (1876) (although he never visited India).
Read more about this topic: Sidney Lanier
Famous quotes containing the words writing, style, literary and/or theory:
“You may be used to a day that includes answering eleven phone calls, attending two meetings, and writing three reports; when you are at home with an infant you will feel you have accomplished quite a lot if you have a shower and a sit-down meal in the same day.”
—Anne C. Weisberg (20th century)
“Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.”
—Alexander Theroux (b. 1940)
“In literary circles, the men of trust and consideration, bookmakers, editors, university deans and professors, bishops, too, were by no means men of the largest literary talent, but usually of a low and ordinary intellectuality, with a sort of mercantile activity and working talent. Indifferent hacks and mediocrities tower, by pushing their forces to a lucrative point, or by working power, over multitudes of superior men, in Old as in New England.”
—Ralph Waldo Emerson (1803–1882)
“The theory [before the twentieth century] ... was that all the jobs in the world belonged by right to men, and that only men were by nature entitled to wages. If a woman earned money, outside domestic service, it was because some misfortune had deprived her of masculine protection.”
—Rheta Childe Dorr (1866–1948)