Early Films and Radio
James made his first appearances in Night Beat and Black Memory (1947), both crime dramas. In 1949 he played the alcoholic hero's barman in Michael Powell and Emeric Pressburger's The Small Back Room.
His first major comedy role was in The Lavender Hill Mob (1951): with Alfie Bass he made up the bullion robbery gang headed by Alec Guinness and Stanley Holloway. In the same year he also appeared in Lady Godiva Rides Again and The Galloping Major; in 1956 he had a non-comic supporting role as a journalist in the science-fiction film Quatermass 2. He also had a supporting part as a TV advertisement producer in Charlie Chaplin's A King in New York (1957) and played Master Henry in Outlaw Money an episode of The Adventures of Robin Hood. He also played in Hell Drivers.
Meanwhile, in 1954, he began working with Tony Hancock in BBC radio's Hancock's Half Hour, playing a character with his own name (but having the invented middle name Balmoral), who was a petty criminal who would usually manage to con Hancock. When this was turned into a television series his part was greatly increased to the extent that some viewers considered it to be a double act. Sid James was soon getting as many laughs as his partner. In the final series, the show was renamed simply Hancock and James was not included in the cast. The show was one of the most popular comedy series in Britain on both television and radio.
Read more about this topic: Sid James
Famous quotes containing the words early, films and/or radio:
“Franklin said once in one of his inspired flights of malignity
Early to bed and early to rise
Make a man healthy and wealth and wise.
As if it were any object to a boy to be healthy and wealthy and wise on such terms.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“Now they can do the radio in so many languages that nobody any longer dreams of a single language, and there should not any longer be dreams of conquest because the globe is all one, anybody can hear everything and everybody can hear the same thing, so what is the use of conquering.”
—Gertrude Stein (18741946)