Sick Puppy - Literary Significance & Criticism

Literary Significance & Criticism

Sick Puppy has been reviewed well and one example describes Hiaasen's skills thus.

Hiaasen is best known for serving up heaping helpings of just desserts . His bad guys are the baddest, and his good guys are anything but the Dudley Dorights of popular fiction. How does Hiaasen come up with his new means of doling out justice to the terminally greedy? Just when you think, "they'll never get out of this mess," he devises a plan, and they're off and running.

Other reviews praised the novel's harder edges.

Sick Puppy is ultimately as unforgiving as nature's order. The characters are not likeable. There is no redemption or apology. But that's Hiaasen's design. In the end, we are treated to one of his favorite devices, the epilogue with thumbnail descriptions of the fates of many of his characters. Some of the scoundrels prosper, some don't. There's the sense that there is more work to be done. Sure, Hiaasen himself may not be ready to kidnap the dogs of unregenerate litterbugs or clobber drunken jet skiers, but it's the thought that counts.

Read more about this topic:  Sick Puppy

Famous quotes containing the words literary, significance and/or criticism:

    First literature came to refer only to itself, the literary theory.
    Mason Cooley (b. 1927)

    The hypothesis I wish to advance is that ... the language of morality is in ... grave disorder.... What we possess, if this is true, are the fragments of a conceptual scheme, parts of which now lack those contexts from which their significance derived. We possess indeed simulacra of morality, we continue to use many of the key expressions. But we have—very largely if not entirely—lost our comprehension, both theoretical and practical, of morality.
    Alasdair Chalmers MacIntyre (b. 1929)

    The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.
    George Steiner (b. 1929)