Reaction in Syracuse
Many people in Syracuse, the richest and most powerful city of Sicily, felt that the Athenians were in fact coming to attack them, under the pretense of aiding Segesta in a minor war. The Syracusan general Hermocrates suggested that they ask for help from other Sicilian cities, and from Carthage. He also wanted to meet the Athenian fleet in the Ionian Sea before they arrived. Others argued that Athens was no threat to Syracuse, and some people did not believe there was a fleet at all, because Athens would not be so foolish as to attack them while they were still at war with Sparta. Athenagoras accused Hermocrates and others of attempting to instill fear among the population and trying to overthrow the government.
Read more about this topic: Sicilian Expedition
Famous quotes containing the words reaction in, reaction and/or syracuse:
“Children, randomly at first, hit upon something sooner or later that is their mother’s and/or father’s Achilles’ heel, a kind of behavior that especially upsets, offends, irritates or embarrasses them. One parent dislikes name-calling, another teasing...another bathroom jokes. For the parents, this behavior my have ties back to their childhood, many have been something not allowed, forbidden, and when it appears in the child, it causes high-voltage reaction in the parent.”
—Ellen Galinsky (20th century)
“Children, randomly at first, hit upon something sooner or later that is their mother’s and/or father’s Achilles’ heel, a kind of behavior that especially upsets, offends, irritates or embarrasses them. One parent dislikes name-calling, another teasing...another bathroom jokes. For the parents, this behavior my have ties back to their childhood, many have been something not allowed, forbidden, and when it appears in the child, it causes high-voltage reaction in the parent.”
—Ellen Galinsky (20th century)
“The Dada object reflected an ironic posture before the consecrated forms of art. The surrealist object differs significantly in this respect. It stands for a mysterious relationship with the outer world established by man’s sensibility in a way that involves concrete forms in projecting the artist’s inner model.”
—J.H. Matthews. “Object Lessons,” The Imagery of Surrealism, Syracuse University Press (1977)