In Popular Culture
Books, films, and songs about sailors on shore leave include Jean Genet's 1953 novel, Querelle of Brest; Gene Kelly and Stanley Donen's 1949 film musical of Leonard Bernstein's On the Town; and Belgian singer-songwriter Jacques Brel's 1964 ballad "Amsterdam".
The US singer-songwriter Tom Waits wrote a song entitled "Shore Leave" in 1982, and included it on his album of the following year Swordfishtrombones. As well as describing the excesses noted above, it also details the loneliness that many sailors feel when they suddenly find themselves with free time but without loved ones to share it with. His separation from his wife (he's in Hong Kong, she's back in the USA) is most poignantly put in a beautifully haunting line: "And I wondered how the same moon over this Chinatown fair/ Could look down on Illinois, and find you there".
In many science fiction stories where space travel is depicted, shore leave has the same basic principle, but is more metaphorical, as a spacecraft crew will not necessarily be disembarking to a planetary location with a shoreline; sometimes said crew will not visit a planet at all, but instead spend their shore leave on a space station with recreational facilities for crewpersons on leave. Filk musician Leslie Fish recorded a song based on the original Star Trek television series called "Banned from Argo", detailing the debauchery and chaos caused by the Starfleet crew on shore leave.
Shore Leave is also the nickname of Kevin Blackwell, one of the founding members of Low Res Society.
Read more about this topic: Shore Leave
Famous quotes containing the words popular and/or culture:
“Fifty million Frenchmen cant be wrong.”
—Anonymous. Popular saying.
Dating from World War Iwhen it was used by U.S. soldiersor before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“If mass communications blend together harmoniously, and often unnoticeably, art, politics, religion, and philosophy with commercials, they bring these realms of culture to their common denominatorthe commodity form. The music of the soul is also the music of salesmanship. Exchange value, not truth value, counts.”
—Herbert Marcuse (18981979)