Feminist Perspective
After working on video films for several years at the Hotel Chelsea, Clarke was approached by Roger Corman to work on his next film, Crazy Mama (1975). This sparked disagreements over creative approaches. Clarke realized that Corman was expecting a protègé without film experience. In a 1985 interview, Clarke stated that she did not believe the situation would have occurred had she been a male filmmaker:
Clearly he couldn't be talking to an established filmmaker who had gotten prizes and stuff. He didn't know who I was at all. Would he ever talk to a man like that? He didn't trust me, that's for sure. There's deep discrimination against women artists that is still very strong. I was a representative of tokenism. I was relied on to be the woman filmmaker. No one person can carry that burden. There's no question that my career would have been different if I was a man, but if I was a man I would be a different human being.Although Clarke did not explore feminist themes overtly in her films, feminist struggles can be interpreted through the subtext of her works. Clarke describes the impact her experience as a woman had on her filmmaking:
There are several reasons why I succeeded at all. One, I had enough money that I didn't have to become a secretary to survive. And secondly, I have developed this personality, this way of being. I happen to have chosen a field where I have to be out there, to constantly connect, to be in charge of vast amounts of money, equipment and people. And that is not particularly a woman's role in our society. I identified with black people because I couldn't deal with the woman question and I transposed it. I could understand very easily the black problems, and I somehow equated them to how I felt. When I did The Connection, which was about junkies, I knew nothing about junk and cared less. It was a symbol--people who are on the outside. I always felt alone, and on the outside of the culture that I was in. I grew up in a time when women weren't running things. They still aren't.Read more about this topic: Shirley Clarke
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