Shrine Architectural Styles
Shrine buildings can have many different basic layouts, usually named either after a famous shrine's honden (e.g. hiyoshi-zukuri, named after Hiyoshi Taisha), or a structural characteristic (e.g. irimoya-zukuri, after the hip-and gable roof it adopts. The suffix -zukuri in this case means "structure".)
The honden's roof is always gabled, and some styles also have a veranda-like aisle called hisashi (a 1-ken wide corridor surrounding one or more sides of the core of a shrine or temple). Among the factors involved in the classification, important are the presence or absence of:
- hirairi or hirairi-zukuri (平入・平入造?) - a style of construction in which the building has its main entrance on the side which runs parallel to the roof's ridge (non gabled-side). The shinmei-zukuri, nagare-zukuri, hachiman-zukuri, and hie-zukuri belong to this type.
- tsumairi or tsumairi-zukuri (妻入・妻入造?) - a style of construction in which the building has its main entrance on the side which runs perpendicular to the roof's ridge (gabled side). The taisha-zukuri, sumiyoshi-zukuri, ōtori-zukuri and kasuga-zukuri belong to this type.
(The gallery at the end of this article contains examples of both styles.)
Proportions are also important. A building of a given style often must have certain proportions measured in ken (the distance between pillars, a quantity variable from one shrine to another or even within the same shrine).
The oldest styles are the tsumairi shinmei-zukuri, taisha-zukuri, and sumiyoshi-zukuri, believed to predate the arrival of Buddhism.
The two most common are the hirairi nagare-zukuri and the tsumairi kasuga-zukuri. Larger, more important shrines tend to have unique styles.
Read more about this topic: Shinto Shrines
Famous quotes containing the words shrine and/or styles:
“The United Nations cannot do anything, and never could; it is not an animate entity or agent. It is a place, a stage, a forum and a shrine ... a place to which powerful people can repair when they are fearful about the course on which their own rhetoric seems to be propelling them.”
—Conor Cruise OBrien (b. 1917)
“There are only two styles of portrait painting; the serious and the smirk.”
—Charles Dickens (18121870)