Shepperton Studios - Selected Film Credits

Selected Film Credits

  • The Third Man (1949)
  • Lawrence of Arabia (1962)
  • Dr. Strangelove (1962)
  • 2001: A Space Odyssey (1968)
  • Oliver! (1968)
  • Scrooge (1970)
  • Young Winston (1972)
  • The Omen (1976)
  • Star Wars (1977)
  • The Boys from Brazil (1978)
  • Superman (1978)
  • Alien (1979)
  • The Elephant Man (1980)
  • Flash Gordon (1980)
  • Saturn 3 (1980)
  • Blade Runner (1982)
  • Gandhi (1982)
  • A Passage to India (1984)
  • Out of Africa (1985)
  • The Princess Bride (1987)
  • Henry V (1989)
  • Hamlet (1990)
  • Robin Hood: Prince of Thieves (1991)
  • Chaplin (1992)
  • Four Weddings and a Funeral (1994)
  • The Madness of King George (1994)
  • Judge Dredd (1995)
  • Sense and Sensibility (1995)
  • Evita (1996)
  • 101 Dalmatians (1996)
  • G.I. Jane (1997)
  • Lost in Space (1998)
  • Shakespeare in Love (1998)
  • The Mummy (1999)
  • Notting Hill (1999)
  • Sleepy Hollow (1999)
  • Billy Elliot (2000)
  • Chocolat (2000)
  • Gladiator (2000)
  • Bridget Jones's Diary (2001)
  • Gosford Park (2001)
  • Spy Game (2001)
  • About a Boy (2002)
  • Bend It Like Beckham (2002)
  • Love Actually (2003)
  • Alexander (2004)
  • Harry Potter and the Prisoner of Azkaban (2004)
  • Troy (2004)
  • Wimbledon (2004)
  • Batman Begins (2005)
  • Harry Potter and the Goblet of Fire (2005)
  • Sahara (2005)
  • Star Wars Episode III: Revenge of the Sith (2005)
  • The Da Vinci Code (2006)
  • Atonement (2007)
  • Elizabeth: The Golden Age (2007)
  • The Golden Compass (2007)
  • Inkheart (2009)
  • Moon (2009)
  • Nine (2009)
  • The Young Victoria (2009)
  • Clash of the Titans (2010)
  • Robin Hood (2010)
  • Captain America: The First Avenger (2011)
  • Hugo (2011)
  • Anna Karenina (2012)
  • John Carter (2012)
  • Fast and Furious 6 (2013)
  • Gravity (2013)
  • Thor: The Dark World (2013)

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Famous quotes containing the words selected and/or film:

    “The final flat of the hoe’s approval stamp
    Is reserved for the bed of a few selected seed.”
    —Robert Frost (1874–1963)

    “The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
    —Jeanine Basinger (b. 1936)