Rise of Seven-shape Systems
By the middle of the 19th century, the "fa so la" system of four syllables had acquired a major rival, namely the seven-syllable "do re mi" system. Thus, music compilers began to add three more shapes to their books to match the extra syllables. Numerous seven-shape notations were devised. Jesse B. Aikin was the first to produce a book with a seven-shape note system, and he vigorously defended his "invention" and his patent. The system used in Aikin's 1846 Christian Minstrel eventually became the standard. This owes much to the influential Ruebush & Kieffer Publishing Company adopting Aikin's system around 1876. Two books that have remained in continuous (though limited) use, William Walker's Christian Harmony and M. L. Swan's New Harp of Columbia, are still available. These books use seven-shape systems devised by Walker and Swan, respectively.
Read more about this topic: Shape Note
Famous quotes containing the words rise and/or systems:
“When we raise our children, we relive our childhood. Forgotten memories, painful and pleasurable, rise to the surface.... So each of us thinks, almost daily, of how our own childhood compares with our children’s, and of what our children’s future will hold.”
—Richard Louv (20th century)
“The only people who treasure systems are those whom the whole truth evades, who want to catch it by the tail. A system is just like truth’s tail, but the truth is like a lizard. It will leave the tail in your hand and escape; it knows that it will soon grow another tail.”
—Ivan Sergeevich Turgenev (1818–1883)