Rise of Seven-shape Systems
By the middle of the 19th century, the "fa so la" system of four syllables had acquired a major rival, namely the seven-syllable "do re mi" system. Thus, music compilers began to add three more shapes to their books to match the extra syllables. Numerous seven-shape notations were devised. Jesse B. Aikin was the first to produce a book with a seven-shape note system, and he vigorously defended his "invention" and his patent. The system used in Aikin's 1846 Christian Minstrel eventually became the standard. This owes much to the influential Ruebush & Kieffer Publishing Company adopting Aikin's system around 1876. Two books that have remained in continuous (though limited) use, William Walker's Christian Harmony and M. L. Swan's New Harp of Columbia, are still available. These books use seven-shape systems devised by Walker and Swan, respectively.
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Famous quotes containing the words rise and/or systems:
“I rise superior to my pain,
When I am weak then I am strong;”
—Charles Wesley (1707–1788)
“What avails it that you are a Christian, if you are not purer than the heathen, if you deny yourself no more, if you are not more religious? I know of many systems of religion esteemed heathenish whose precepts fill the reader with shame, and provoke him to new endeavors, though it be to the performance of rites merely.”
—Henry David Thoreau (1817–1862)