Visual Arts in Early Modern Serbia
The Ottoman conquest of Serbia during the 15th century is traditionally said to have had a negative impact of the visual arts. The church was not subdued to the Greek Orthodox Patriarchate at Constantinople and the nobles were not integrated into the Ottoman state system. As the nobility and church were the main sources of patronage for architects and artists, the early modern period is considered an artistically less productive period in the art of Serbia. Despite the general trend, remarkable monuments were built.
There was some resumption of artistic endeavour after the restoration of the Serbian patriarch in 1557. Djordje Mitrofanović was the leading painter of the early 17th century with his work on the church at the Morača Monastery considered as amongst his best. The Husein-Pasha Mosque in Pljevlja (Montenegro) is the most notable Muslim structure in the Balkans and dates from the middle of the 16th century.
A "Baroque" church 'Our Lady of the Rocks' on an island in the Boka Kotorska (Montenegro) is one of the most notable pieces of architecture in the Serbian lands from the early modern period. There are many fine specimens of silverware dating from the 17th century there. Traditional Serbian art was beginning to show some Baroque influences at the end of the 18th century as shown in the works of Nikola Nešković, Teodor Kračun and Jakov Orfelin.
Read more about this topic: Serbian Art
Famous quotes containing the words visual, arts, early and/or modern:
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)
“A two-year-old can be taught to curb his aggressions completely if the parents employ strong enough methods, but the achievement of such control at an early age may be bought at a price which few parents today would be willing to pay. The slow education for control demands much more parental time and patience at the beginning, but the child who learns control in this way will be the child who acquires healthy self-discipline later.”
—Selma H. Fraiberg (20th century)
“I do not approve the extermination of the enemy; the policy of exterminating or, as it is barbarously said, liquidating enemies, is one of the most alarming developments of modern war and peace, from the point of view of those who desire the survival of culture. One needs the enemy.”
—T.S. (Thomas Stearns)