Seljuk Architecture - Great Seljuq Empire Architecture

Great Seljuq Empire Architecture

The architecture can be found in a vast area stretching from the Hindu Kush to eastern Anatolia and from Central Asia to the Persian Gulf. The homeland of the Seljuk architecture was Turkmenistan and Iran, where the first permanent Seljuk buildings were built. Unfortunately the Mongol invasions and earthquakes destroyed most of these buildings and only a few remain. In 1063 Isfahan was established as capital of the Great Seljuk Empire under Alp Arslan.

The most significant alteration carried out in the early twelfth century was the conversion of the mosque plan into a four-iwan plan mosque. Another mosque-type introduced at this time was the kiosk mosque, consisting of a domed space with three open sides and wall containing a mihrab on the qibla side.The architecture of this period was also characterized by memorial tombs which were usually octagonal structures with domed roofs, called Kümbet or Türbe. An impressive example of tomb architecture is the mausoleum of Sultan Sanjar at Merv, a massive building measuring 27 m square with a huge double dome resting on squinches and muqarnas pendentives.

In Syria and Iraq the surviving monuments are represented by madrassas and tombs. The madrassas such as the Mustansiriya in Baghdad or the Muristan in Damascus were built to a four-iwan plan, while the tombs were characterized by conical muqarnas domes.

Some examples of Seljuk Empire architecture include:

  • Tomb of Ahmed Sanjar
  • Kharraqan towers

Read more about this topic:  Seljuk Architecture

Famous quotes containing the words empire and/or architecture:

    When a Man is in a serious Mood, and ponders upon his own Make, with a Retrospect to the Actions of his Life, and the many fatal Miscarriages in it, which he owes to ungoverned Passions, he is then apt to say to himself, That Experience has guarded him against such Errors for the future: But Nature often recurs in Spite of his best Resolutions, and it is to the very End of our Days a Struggle between our Reason and our Temper, which shall have the Empire over us.
    Richard Steele (1672–1729)

    Art is a jealous mistress, and if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider, and should be wise in season and not fetter himself with duties which will embitter his days and spoil him for his proper work.
    Ralph Waldo Emerson (1803–1882)