Literature
Sejong supported literature, and encouraged high class officials and scholars to study at the court. King Sejong created the written language of hangul and announced it to the Korean people in the Hunminjeongeum (Hangul:훈민정음, Hanja: 訓民正音), meaning 'The verbally right sounds meant to teach the people.'
Sejong depended on the agricultural produce of Joseon's farmers, so he allowed them to pay more or less tax according to fluctuations of economic prosperity or hard times. Because of this, farmers could worry less about tax quotas and work instead at surviving and selling their crops. Once the palace had a significant surplus of food, King Sejong then distributed food to poor peasants or farmers who needed it. In 1429 Nongsa-jikseol (hangul: 농사직설, hanja: 農事直說) was compiled under the supervision of King Sejong. It was the first book about Korean farming, dealing with agricultural subjects such as planting, harvesting, and soil treatment.
Although most government officials and aristocrats opposed usage of hangul, lower classes embraced it, became literate, and were able to communicate with one another in writing.
Sejong's personal writings are also highly regarded. He composed the famous Yongbi Eocheon Ga ("Songs of Flying Dragons", 1445), Seokbo Sangjeol ("Episodes from the Life of Buddha", July 1447), Worin Cheon-gang Jigok ("Songs of the Moon Shining on a Thousand Rivers", July 1447), and the reference Dongguk Jeong-un ("Dictionary of Proper Sino-Korean Pronunciation", September 1447).
In 1420 Sejong established the Hall of Worthies (집현전; 集賢殿; Jiphyeonjeon) at the Gyeongbokgung Palace. It consisted of scholars selected by the king. The Hall participated in various scholarly endeavors, of which the best known may be the compilation of the Hunmin Jeongeum.
Read more about this topic: Sejong The Great
Famous quotes containing the word literature:
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)
“Woe to that nation whose literature is cut short by the intrusion of force. This is not merely interference with freedom of the press but the sealing up of a nation’s heart, the excision of its memory.”
—Alexander Solzhenitsyn (b. 1918)
“Philosophy, astronomy, and politics were marked at zero, I remember. Botany variable, geology profound as regards the mud stains from any region within fifty miles of town, chemistry eccentric, anatomy unsystematic, sensational literature and crime records unique, violin player, boxer, swordsman, lawyer, and self-poisoner by cocaine and tobacco.”
—Sir Arthur Conan Doyle (1859–1930)