Secret Histories of The Real World
Originally, secret histories were designed as non-fictional, revealing or claiming to reveal the truth behind the "spin": one such example is the Secret History of the Mongols. Secret histories can range from standard historical revisionism with proper critical reexamination of historical facts to negative historical revisionism wherein facts are deliberately omitted, suppressed or distorted.
The exemplar secret history is the Anecdota of Procopius of Caesarea (known for centuries as the Secret History). It was discovered, centuries after it was written, in the Vatican Library and published in 1623, although its existence was already known from the Suda, which referred to it as the Anekdota ("the unpublished composition"). The Secret History covers roughly the same years as the first seven books of the History of Justinian's Wars and appears to have been written after they were published. Current consensus generally dates it to 550 or 558, possibly as late as 562. It portrays the reign of the Roman Emperor Justinian I to the great disadvantage of the Emperor, his wife and some of his court.
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“Embraces are cominglings from the head even to the feet,
And not a pompous high priest entering by a secret place.”
—William Blake (1757–1827)
“The histories of the lives and fortunes of men are full of instances of this nature,—where favorable times and lucky accidents have done for them, what wisdom or skill could not.”
—Laurence Sterne (1713–1768)
“Essay writing is perhaps ... the easiest for the author and requires little more than what is called a fluency of words and a vivacity of expression to avoid dullness; but without ... a real foundation of matter ... an essay writer is very apt, like Dogberry in Shakespeare’s Much Ado About Nothing, to think that if he had the tediousness of a king, he would bestow it all upon his readers.”
—Sarah Fielding (1710–1768)
“For me, it is as though at every moment the actual world had completely lost its actuality. As though there was nothing there; as though there were no foundations for anything or as though it escaped us. Only one thing, however, is vividly present: the constant tearing of the veil of appearances; the constant destruction of everything in construction. Nothing holds together, everything falls apart.”
—Eugène Ionesco (b. 1912)