Composition
According to the Epistle itself, it was composed by the Apostle Peter, an eyewitness to Jesus' ministry. It criticizes "false teachers" who distort the authentic, apostolic tradition, and predicts judgment for them. 2 Peter explains that God has delayed the Second Coming of Christ so that more people will have the chance to reject evil and find salvation. It calls on Christians to wait patiently for the parousia and to study scripture.
The date of composition has proven to be very difficult to determine. Commentaries and reference books have placed 2 Peter in almost every decade from 60 to 160AD.
Read more about this topic: Second Epistle Of Peter
Famous quotes containing the word composition:
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)
“Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.”
—Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)