Theatre
Rudin also continues to produce for the theatre. He co-produced the unsuccessful staging of David Henry Hwang's Face Value with Stuart Ostrow and Jujamcyn Theaters. He started a deal with Jujamcyn to develop and produce new plays for the theater chain. In 1994, Rudin won Best Musical Tony Award for his production of Stephen Sondheim and James Lapine's Passion. The following year, he, along with others, produced Kathleen Turner's Broadway comeback, Indiscretions, and Ralph Fiennes New York theatre debut in Hamlet. In 1996, Rudin produced the revival of the Stephen Sondheim and Larry Gelbart musical A Funny Thing Happened on the Way to the Forum, which starred Nathan Lane, Ernie Sabella and Mark Linn-Baker.
He also produced The Goat or Who Is Sylvia?, Seven Guitars, The Ride Down Mt. Morgan, Copenhagen, Deuce, Who's Afraid of Virginia Woolf?, The History Boys, Beckett/Albee, Closer, The Blue Room, and Doubt. In 2010, he co-produced, along with Carole Shorenstein Hays, the Broadway revival of August Wilson's Pulitzer Prize-winning play Fences, starring Denzel Washington and Viola Davis, which garnered ten Tony Award nominations and three wins, including Best Revival of a Play. He has won five Tonys and five Drama Desk Awards for his productions.
Rudin is currently the lead producer for the Broadway musical The Book of Mormon, which opened in March 2011 at the Eugene O'Neill Theatre and won nine Tony Awards including best musical.
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Famous quotes containing the word theatre:
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)
“Glorious bouquets and storms of applause ... are the trimmings which every artist naturally enjoys. But to move an audience in such a role, to hear in the applause that unmistakable note which breaks through good theatre manners and comes from the heart, is to feel that you have won through to life itself. Such pleasure does not vanish with the fall of the curtain, but becomes part of one’s own life.”
—Dame Alice Markova (b. 1910)
“Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.”
—John Berger (b. 1926)