Cultural Debate
Following Vincent Lam's win of the Giller Prize in 2006, Geist columnist Stephen Henighan criticized the Giller Prize for its apparent dependency for its shortlists and winners on books published by Bertelsmann AG-affiliated Canadian publishing houses, all of which are based in Toronto.
Arguing that the trend towards centralization of Canadian publishing in Toronto has led to a monopolistic control of the Giller Prize by Bertelsmann and its authors, Henighan wrote, "Year after year the vast majority of the books shortlisted for the Giller came from the triumvirate of publishers owned by the Bertelsmann Group: Knopf Canada, Doubleday Canada and Random House Canada. Like the three musketeers, this trio is in fact a quartet: Bertelsmann also owns 25 percent of McClelland & Stewart, and now manages M&S’s marketing." Henighan added that all of the Giller Prize winners from 1994 to 2004, with the exception of Mordecai Richler, lived within a two-hour drive of downtown Toronto.
The article raised debate within the media and in the wider public over the credibility of the Giller Prize.
In 2010, there was much talk about how small presses dominated that year’s shortlist. Montrealer Johanna Skibsrud won the Giller Prize that year for her novel The Sentimentalists, published by independent Gaspereau Press. The company produces books using a 1960s offset printing press and hand-bindery equipment. As a result, while there was great demand for the book in the marketplace, the publisher had trouble keeping up with production. In the end, they turned to Douglas & McIntyre, a large West-coast publisher, to print copies of the book.
The Gaspereau situation prompted an examination within the cultural community about what makes a book and the nature of publishing and marketing books. It also sparked debate about the role of e-books.
Read more about this topic: Scotiabank Giller Prize
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