Science Fiction Television Production Process and Methods
The need to portray imaginary settings or characters with properties and abilities beyond the reach of current reality obliges producers to make extensive use of specialized techniques of television production.
Through most of the 20th century, many of these techniques were expensive and involved a small number of dedicated craft practitioners, while the reusability of props, models, effects, or animation techniques made it easier to keep using them. The combination of high initial cost and lower maintenance cost pushed producers into building these techniques into the basic concept of a series, influencing all the artistic choices. By the late 1990s, improved technology and more training and cross-training within the industry made all of these techniques easier to use, so that directors of individual episodes could make decisions to use one or more methods, so such artistic choices no longer needed to be baked into the series concept.
Read more about this topic: Science Fiction On Television
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““You are bothered, I suppose, by the idea that you can’t possibly believe in miracles and mysteries, and therefore can’t make a good wife for Hazard. You might just as well make yourself unhappy by doubting whether you would make a good wife to me because you can’t believe the first axiom in Euclid. There is no science which does not begin by requiring you to believe the incredible.””
—Henry Brooks Adams (1838–1918)
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—Daniel Easterman (b. 1949)
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—Henry David Thoreau (1817–1862)