Science Fiction Television Economics and Distribution
In general, science fiction series are subject to the same financial constraints as other television shows. However, high production costs increase the financial risk, while limited audiences further complicate the business case for continuing production. Star Trek was the first television series to cost more than $100,000 per episode, while Star Trek: The Next Generation was the first to cost more than $1 million per episode.
The innovative nature of science fiction means that new shows cannot rely on predictable market-tested formulas like legal dramas or sitcoms; the involvement of creative talent outside the Hollywood mainstream introduces more variables to the budget forecasts.
In the past, science fiction television shows have maintained a family friendly format that rendered them suitable for all ages, especially children, as the majority of them were of the action-adventure format. This enabled merchandising such as toy lines, animated cartoon adaptations, and other licensing. Many modern shows, however, include a significant amount of adult themes (such as sexual sitiuations, nudity, profanity and graphic violence) rendering them unsuitable for young audiences, and severely limiting the remaining audience demographic and the potential for merchandising.
The perception, more than the reality, of science fiction shows being cancelled unreasonably is greatly increased by the attachment of fans to their favorite shows, which is much stronger in science fiction fandom than it is in the general population. While mainstream shows are often more strictly episodic, where ending shows can allow viewers to imagine that characters live happily, or at least normally, ever after, science fiction shows generate questions and loose ends that, when unresolved, cause dissatisfaction among devoted viewers. Creative settings also often call for broader story arcs than is often found in mainstream television, requiring science fiction shows many episodes to resolve an ongoing major conflict. Science fiction television producers will sometimes end a season with a dramatic cliffhanger episode to attract viewer interest, but the short-term effect rarely influences financial partners. Dark Angel is one of many shows ending with a cliffhanger scene that left critical questions open when the series was cancelled.
Read more about this topic: Science Fiction On Television
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An axiom from economics popular in the 1960s, the words have no known source, though have been dated to the 1840s, when they were used in saloons where snacks were offered to customers. Ascribed to an Italian immigrant outside Grand Central Station, New York, in Alistair Cooke’s America (epilogue, 1973)
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