Production
Scent of a Woman was filmed in the following locations:
- Brooklyn, New York City, New York, USA
- Dumbo, Brooklyn, New York City, New York, USA
- Emma Willard School, 285 Pawling Avenue, Troy, New York, USA
- Hempstead House, Sands Point Preserve, 95 Middleneck Road, Port Washington, Long Island, New York, USA (school)
- Kaufman Astoria Studios, 3412 36th Street, Astoria, Queens, New York City, New York, USA (studio)
- Long Island, New York, USA
- Manhattan, New York City, New York, USA
- Newark Liberty International Airport, Newark, NJ
- New York City, New York, USA
- Pierre Hotel, Fifth Avenue & 61st Street, Manhattan, New York City, New York, USA (ballroom where Frank and Donna dance the tango)
- Port Washington, Long Island, New York, USA
- Prince's Bay, Staten Island, New York City, New York, USA
- Princeton, New Jersey, USA
- Queens, New York City, New York, USA
- Rockefeller CollegeāUpper Madison Hall, Princeton University, Princeton, New Jersey, USA
- Staten Island, New York City, New York, USA
- The Oak Room, The Plaza Hotel, 5th Avenue, Manhattan, New York City, New York, USA (where Frank and Charlie have dinner)
- Troy, New York, USA
- Waldorf-Astoria Hotel, 301 Park Avenue, Manhattan, New York City, New York, USA
Read more about this topic: Scent Of A Woman (1992 film)
Famous quotes containing the word production:
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (16941773)
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (18721933)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)