Career
By 1995, he had become an open mic poet and, in 1996, he won the title of Nuyorican Poets Cafe's Grand Slam Champion. The documentary film SlamNation follows Williams and the other members of the 1996 Nuyorican Poets Slam team (Beau Sia, muMs da Schemer, and Jessica Care Moore) as they compete in the 1996 National Poetry Slam held in Portland, Oregon. The following year, Williams landed the lead role in the 1998 feature film Slam. Williams featured as both a writer and actor on the film, which would win both the Sundance Festival Grand Jury Prize and the Cannes Camera D'Or (Golden Camera), and serve to introduce Williams to international audiences.
At this time, Williams was also breaking into music. He had performed with such artists as Nas, The Fugees, Christian Alvarez, Blackalicious, Erykah Badu, KRS-One, Zack De La Rocha, De La Soul, and DJ Krust, as well as poets Allen Ginsberg and Sonia Sanchez. After releasing a string of EPs, in 2001 he released the LP Amethyst Rock Star with producer Rick Rubin and in September 2004 his self-titled album to much acclaim. He played several shows supporting Nine Inch Nails on their European tour in summer 2005, and has also supported The Mars Volta. Williams was also invited to the Lollapalooza music festival in Summer 2005. The Chicago stage allowed Williams to attract a wider audience. He also appeared on NIN's album Year Zero, and supported the group on their 2006 North American tour. On the tour Williams announced that Trent Reznor would co-produce his next album.
This collaboration resulted in 2007's The Inevitable Rise and Liberation of NiggyTardust!. This album was available only at the website until a physical CD of the album was issued. The physical release included new tracks and extended album artwork. The first 100,000 customers on the website had the option to download a free lower-quality audio version of the album. The other option was for users to pay $5 to support the artist directly and be given the choice of downloading the higher-quality MP3 version or the lossless FLAC version. The material has been produced by Trent Reznor and mixed by Alan Moulder. It was Reznor who said that, after his own recent dealings with record labels, they should release it independently and directly.
As a writer, Williams has been published in The New York Times, Esquire, Bomb Magazine, and African Voices, as well as releasing four collections of poetry. As a poet and musician, Williams has toured and lectured across the world, appearing at many universities and colleges. In his interview in the book Words in Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam, Williams explained why he creates within so many genres:
| “ | It's not that I balance those arts out, all the different arts balance me out. So, that there is a certain type of emotion that is more easily accessible through music than poetry... some things are meant to be written, some are meant to be sung, some things are meant to be hummed, some things are made to be yelled, and so that's just how life works. | ” |
In early 2008, a Nike Sparq Training commercial featured Williams' song "List of Demands (Reparations)". In a November 2008 interview with Wired.com, Williams talked about his forthcoming projects: "There's one album that I'm waist-deep into. I'm aiming to finish it up next month. Trent wants to work on a sequel for Niggy that I think would be cool, and I also have an album and new songs demoed at home that I'm ready to go into the studio and lay down. It’s a complete reflection of how I feel in this country; it's a very transformative time."
In January 2009, he released NGH WHT - The Dead Emcee Scrolls with The Arditti Quartet, a reading of his 2006 poetry book of the same name. This collaboration with Thomas Kessler (who also set Williams' ",said the shotgun to the head" to music) was released with two payment options: listeners could download chapters 18 to 22 of the 27-minute composition in mp3 format for free, or for $6 could download the entire 33-chapter composition in lossless .aif format, along with the isolated vocal and quartet multitracks. The entire paid download totals in size at 563 Megabyte. Williams contributed to two tracks on the 2011 album Baba Love by Arthur H.
Williams' latest album, Volcanic Sunlight, was released on November 11, 2011. Williams showcased the album at London's Hoxton Bar Kitchen on January 26, 2011. Livemusic.fm interviewed Williams on the evening and made a subsequent film, produced by artist Alex Templeton-Ward. When Williams was asked what the point of poetry was, he said: "I'm making this up, I have no idea but here we go. I think that it would be to express, to share, to relieve, to explore" and that "for me, poetry offers some what of a cathartic experience. I am able to move through emotions and emotional experience particularly, you know, break-ups, difficulties in all the things that I may face, whether that is with an industry or a loved one or whomever, there needs to be an infiltration process, like you have a window open over there. That is the purpose of poetry: it is the window that opens, that allows some air in, some other insight, some other possibility so we can explore all that we feel, all that we think but with the space to see more than what we know, because there is so much more than we know". He also said "if I didn't open myself to the possibilities of the unknown, then I would be lost".
Read more about this topic: Saul Williams
Famous quotes containing the word career:
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)