Productions
The Stephen Sondheim Society put on a student concert version of the musical at the University of Birmingham, written by Professor Stephen Banfield. It was then repeated the following year at the Bridewell Theatre, London, with Sondheim in attendance. During the post-show Q & A session, one of the members of The Stephen Sondheim Society asked Mr. Sondheim if he would now allow the show to be performed publicly. He agreed to think about it having previously always said 'no!' and Carol Metcalfe, Artistic Director of The Bridewell Theatre, immediately volunteered to stage it. Directed by Carol Metcalfe and Clive Paget, Saturday Night opened at the Bridewell Theatre on December 17, 1997 and closed on January 24, 1998 after 38 performances. A cast recording was made, distributed by First Night (UK) and RCA Victor (US).
Following that production, the show had its US premiere with the Pegasus Players in Chicago. It opened at the O'Rourke Center for the Performing Arts, Truman College, Chicago, on May 19, 1999 and closed on July 18, 1999. Gary Griffin directed, with choreography by Marc Robin. Sondheim wrote two new song/scenes, "Delighted, I'm Sure" and "Montana Chem". The original book was edited by Sondheim, and there were new orchestrations by Jonathan Tunick. Interestingly the copyright date for "Delighted, I'm Sure" is 1954 by Sondheim. The other songs have copyright dates from 1973 (Tribute show) to 1999 (Chicago production) and are all by music publishers.
The New York premiere was at the Off-Broadway Second Stage Theatre on February 17, 2000, where it ran until March 26, 2000, for 45 performances. The Second Stage production was directed and choreographed by Kathleen Marshall, and featured David Campbell (Gene), Lauren Ward (Helen), Natascia Diaz (Florence), Christopher Fitzgerald (Bobby), and Andrea Burns (Celeste). This production won the Drama Desk Award for Outstanding Lyrics. A recording was made with this original New York cast, released on June 20, 2000 by Nonesuch (ASIN: B00004TG64).
When asked his reaction to seeing Saturday Night performed in New York after 40 years, Sondheim replied, "I don't have any emotional reaction to Saturday Night at all — except fondness. It's not bad stuff for a 23-year-old. There are some things that embarrass me so much in the lyrics — the missed accents, the obvious jokes. But I decided, Leave it. It's my baby pictures. You don't touch up a baby picture — you're a baby!"
Magnormos produced the Australasian premiere of Saturday Night in Melbourne in 2003, directed by the company's founder Aaron Joyner. It was first presented at Chapel Off Chapel, and then at the newly opened Federation Square, the first work of musical theatre performed in The Edge theatre. It had successful reviews and was a sell-out. In 2010 Saturday Night was the musical chosen to launch the successful Magnormos A SONDHEIM TRIPTYCH to celebrate the composers 80th birthday, and it became the first musical theatre piece to perform in the Elisabeth Murdoch Hall, Melbourne Recital Centre.
Primavera Productions produced the first UK revival at the fringe Jermyn Street Theatre in London, running from February 10, 2009 through March 14, 2009; this was the UK premiere of the revised Off-Broadway score. The musical then opened in the West End on March 25, 2009 through April 11 at the Arts Theatre. Directed by Tom Littler, with Musical Direction by Tom Attwood, and the cast included Helena Blackman, David Ricardo-Pearce, David Botham, Charlie Cameron, Lee Drage, Lloyd Gorman, Joanna Hickman, Joanna Hollister, Kevin Millington, David Osmond, Nick Trumble and Harry Waller.
In October 2011 the Signature Theatre in Arlington, Virginia presented a concert staging of Saturday Night in its MAX Theatre. The production, directed by Matthew Gardiner, starred Geoff Packard as Gene, Susan Derry as Helen, Eleasha Gamble as Florence/Dakota, William Beech as Bobby, and Tracy Lynn Olivera as Celeste.
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Famous quotes containing the word productions:
“It is well known, that the best productions of the best human intellects, are generally regarded by those intellects as mere immature freshman exercises, wholly worthless in themselves, except as initiatives for entering the great University of God after death.”
—Herman Melville (1819–1891)
“Most new things are not good, and die an early death; but those which push themselves forward and by slow degrees force themselves on the attention of mankind are the unconscious productions of human wisdom, and must have honest consideration, and must not be made the subject of unreasoning prejudice.”
—Thomas Brackett Reed (1839–1902)
“If you think it will only add one sprig to the wreath the country twines to bind the brows of my hero, I will run the risk of being sneered at by those who criticize female productions of all kinds. ...Though a female, I was born a patriot.”
—Annie Boudinot Stockton (1736–1801)