Plot
Ingrid Bergman played a notorious woman (Clio Dulaine) who comes back to New Orleans and falls for a Texas gambler, portrayed by Gary Cooper.
In 1875, Clio Dulaine, the illegitimate daughter of an aristocratic New Orleans Creole man and a very light-skinned Creole woman of color who was his placée, returns from Paris to her birthplace in Rampart Street to avenge her mother's mistreatment at the hands of her father's family, the Dulaines. Years ago Clio's mother accidentally killed Dulaine when he tried to prevent her from committing suicide, and the scandalized Dulaines then exiled Clio and her mother to Paris. Clio is accompanied by her Haitian maid, Angelique, and her dwarf manservant, Cupidon. After fixing up the rundown house in Rampart Street, Clio ventures out, hoping to encounter the Dulaines, now consisting of her father's widow, her mother, and her daughter and Clio's half-sister, Charlotte Thérèse. At the French marketplace, Clio stops for a bowl of jambalaya and is immediately attracted to Clint Maroon, a tall Texan in a white hat, who is eating at the counter. The attraction is mutual, and Clint offers to drive Clio to the cathedral in his carriage, but a disapproving Angelique interferes, and Clio leaves without him. After the service, Clio, Angelique and Cupidon breakfast at Begue's, the restaurant patronized by the Dulaines every Sunday. Announcing to the maitre d' that she is a relative, Clio sits at the table reserved for the Dulaines, but when the Dulaines arrive, they recognize her by her resemblance to her mother and leave without a confrontation. Clint and Clio meet again at the restaurant, and afterward, he drives her home.
Clio and Clint begin a courtship. Eventually, Clint moves into Clio's house. Although Clio and Clint are in love with each other, Clio, who is obsessed with her plans for revenge, intends to marry a rich and powerful man to prove that she is as good as her father's family. Clint, a gambler, who never intends to marry, is out for revenge on the railroaders who ruined his father in Texas.
While Clio continues to embarrass the Dulaines at every opportunity, planning, if necessary, to sabotage the society debut of her half-sister Charlotte Thérèse, Clint, exasperated by Clio's unrelenting machinations, leaves for Saratoga Springs, New York. As the result of Clio's scheming, the Dulaines pay her $10,000, agree to destroy the Rampart Street house and bury her mother in a New Orleans cemetery. Later, Clio joins Clint in Saratoga Springs, where she plots to marry wealthy railroad heir Bartholomew Van Steed. Clio's arrival with Angelique and Cupidon causes quite a stir, and because the hotel is completely booked, Clint, who is now calling himself Colonel Maroon, offers Clio two of the rooms in his suite. Privately, he explains that Bart owns a railroad, the Saratoga Trunk, which is suddenly worth millions of dollars because it connects the coal country with New York. Railroader Raymond Soule, the same man who ruined Clint's father, is trying to steal the railroad from Bart. Clio poses as the widow of a French count, a claim that many doubt until she is unexpectedly backed up by socialite Mrs. Coventry Bellop, who intensely dislikes Van Steed's mother. Clio's beauty and melodramatic posturing quickly capture Bart's attentions. In the meantime, Clint offers to save the Saratoga Trunk from Soule in exchange for shares in the railroad. When Clio learns that Bart is paying Clint to do his dirty work, she hysterically accuses him of cowardice and sends him away. This excites Bart, who explains that he knows about her background, but wants to marry her anyway. The costume ball that evening is interrupted by the arrival of Clint and Cupidon, who were seriously wounded during a pitched battle with Soule's men. Clio realizes that she loves Clint too much to marry another man and nurses him back to health. Clint then tells Clio that, having saved the Saratoga Trunk from Soule, his railroad shares have made him a very rich man, and that he plans to eventually take over the trunk line himself from Van Steed.
Read more about this topic: Saratoga Trunk
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)