Guitars and Equipment
For years, Sarah McLachlan's main stage guitar has been a late-'70s Larrivée C-10 with rosewood back and sides, a spruce top, and a Florentine cutaway. The guitar is amplified with a Fishman Rare Earth Blend (which combines a magnetic pickup and an internal mic), running through a Radial JDV Mk3 active DI. She has also performed with Canadian-made Morgan guitars, and at the time of the interview, she was trying out Taylor models with Expression System electronics.
McLachlan strings her guitars with phosphor-bronze or vintage bronze Dean Markleys. She uses medium-lights (.012–.054) for her guitars in E A D G A D and D A D G A D tunings. Sometimes she uses lights (.011–.046) and raises E A D G A D a whole step so her capo positions can be two frets lower. For instance, in the past she played "Building a Mystery" in E A D G A D with a capo at the seventh fret, but now she tunes to F# B E A B E and capoes at the fifth fret. McLachlan's capo of choice is a Dunlop C-Four.
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“Even now she does the snake-hips with a hiss,
Slops the bad wine across her shantung, talks
Of pregnancy, guitars and bridgework, walks
In parks or alleys, comes haply on the verge
Of happiness, haply hysterics. Is.”
—Gwendolyn Brooks (b. 1917)
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