Later Career
In 1905, while performing in Victorien Sardou's La Tosca in Teatro Lírico do Rio de Janeiro, Bernhardt injured her right knee when jumping off the parapet in the final scene. The leg never healed properly. By 1915, gangrene had set in and her entire right leg was amputated; she was required to use a wheelchair for several months. Bernhardt reportedly refused a $10,000 offer by a showman to display her amputated leg as a medical curiosity (while P.T. Barnum is usually cited as the one to have made the offer, he had been dead since 1891). She continued her career often without using a wooden prosthetic limb; she had tried to use one but didn't like it. She carried out a successful tour of America in 1915, and on returning to France she played in her own productions almost continuously until her death. Her later successes included Daniel (1920), La Gloire (1921), and Régine Armand (1922). According to Arthur Croxton, the manager of London's Coliseum, the amputation was not apparent during her performances, which were done with the use of an artificial limb. Her physical condition may have limited her mobility on the stage, but the charm of her voice, which had altered little with age, ensured her triumphs.
Sarah Bernhardt died from uremia following kidney failure in 1923; she is believed to have been 78 years old. She has a star on the Hollywood Walk of Fame at 1751 Vine Street.
Read more about this topic: Sarah Bernhardt
Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“He was at a starting point which makes many a mans career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)